Humsaya (1968)

Good spy thrillers have been rare in Hindi cinema. I think this genre slowly picked up in the 1960s after the successful launch of the James Bond series and our desi directors started thinking of adapting to the trend. Ankhen (1968) stands out as one of the best entertainers in this genre. The same year came Humsaya, an ambitious film of Joy Mukerjee. He launched Joy Mukerjee Productions and had the triple responsibility of acting, producing and directing the film. Unfortunately, the ambitions did not translate effectively on screen and the audience were left with a disappointing result.

Humsaya (meaning neighbour) was a kind of Cold War drama based on the period following the 1962 Indo China war and relations between the neighboring countries. The Chinese send a spy to India to locate some weapons and use them against the country by sending Chinese guerilla fighters. It is too complex a story and I will attempt to explain it with the help of its three main characters played by Joy Mukerjee, Sharmila Tagore and Mala Sinha.


The Plot

As expected the plot is centered around Joy Mukerjee’s character and he plays a double role. He is Lin Tan, a Chinese military officer staying in Peking. He is in love with Sin (Mala Sinha), a singer and dancer. They get married at the beginning of the movie. It is their “suhaag raat.” They promise to always be together. Unfortunately, Sin is called to report for duty immediately. Poor Sin is left alone on her first night. Sin is taken to meet Comrade Chen Lai (or Leng?) (Madan Puri).

Chen Lai tells him that he has been selected for an important mission. Enter Shyam, an Indian and a lookalike of Sin. Sin is made to undergo plastic surgery so that his Chinese features can be altered and he looks exactly like Shyam. (Conveniently, Sin has Indian looks as his father became involved with an Indian woman). And who is Shyam? He is an Indian prince who was serving in the Indian air force as a squadron leader.

It so happened that Shyam was in love with Reena (Sharmila Tagore). Reena’s childhood friend Vijay Khanna(?) is also interested in her. She tells him clearly that she is interested in Shyam. One day Shyam arrives to confront Vijay in his house but gets mocked at. Shyam is angry, Vijay threatens him with a gun. They have a scuffle outside the house when Vijay gets shot by someone. Shyam picks up Vijay’s gun and tries to search for the murderer. Vijay’s father and Reena arrive at the scene.

Obviously, Reena believes that Shyam killed Vijay and leaves him. He is court martialled and sent to jail for two years. He doesn’t return home after his jail term and becomes a wanderer. The Chinese have been tracking him and Chen Lai meets him and takes him to a place near the Indo China border. That’s where he has been staying for some time. But Shyam has been biding his time. He acts as if he is sorrowful and drinks all day with Reena’s photo for company.

Lin is brought to the border town to meet Shyam. Both are taken aback by the resemblance between them. Its as if they are looking at a mirror. Being a Hindi film, their voices are also identical! Later, in private Chen Lai tells Lin about his secret mission. Apparently,  Vijay had been a Chinese spy. The Chinese had sent him arms and ammunition to be used against India. The plan was to send Chinese guerilla fighters who would use those arms to destroy India. (This is an extremely weird plan. That would be too much material for one man to handle and where is it all stored?) Anyway, someone else got to know about the whereabouts of the arms and killed Vijay. That is why the Chinese want Lin to go to India posing as Shyam and find who killed Vijay and retrieve the arms. Shyam hears all this secretly. He is a true Indian and will make all effort to thwart the plans of the Chinese.

The two men spend the next few days together and share details about each other including the details about the women in their life. Conveniently they have photographs of the respective women handy. Lin is forced to leave Sin and proceed on his mission.

The day arrives when Lin is ready to leave China and travel to New Delhi. He asks Chen Lai what they intend to do with Shyam. Chen Lai tells him that the plan is to administer opium to Shyam and kill him when he is unconscious. (Again, weird logic!)

But Shyam has a different plan. He attacks Lin, makes him consume the the opium. He wears Lin’s clothes and is ready to “disguise” himself as Shyam and go to India. Chen Lai sees the unconscious man and has some doubts whether he is meeting Lin or Shyam but Shyam convinces him that he is Lin and they need to proceed with the plan. Shyam i.e. Lin is brought out in the snow and shot. It is not clear what means and route does Shyam take to reach his destination. Surely, there would be border posts, he would need a passport etc.

Coming to the two ladies. Reena is played by Sharmila Tagore. She is shocked when Shyam kills Vijay. The Shyam chapter is closed for her.

When Shyam comes back she rejects his advances. He tries hard but she has no patience to listen to him. Apparently, she is facing an inner struggle. Shyam seems to be sincere but she can’t bring herself to face him. He tries a song to convey his state of mind and she mellows down a bit. Her father (played by Sapru) agrees to give him a last chance to prove his innocence. Vijay’s father calls Shyam to meet him but gets killed before Shyam can talk to him. The police nab the supposed murderer who confesses that Shyam did not kill Vijay. But he is killed when he is about to reveal the murderer’s name. After the revelation, Shyam is reinstated in the air force and and he and Reena get engaged.

The 3rd important character is Sin. She is eagerly waiting for her husband to return. And opportunity knocks. She is sent to india as part of a Chinese cultural delegation. Chen Lai accompanies the delegation as Professor Tao Kai Shen, his main purpose is to push Shyam to complete his mission.

She performs with her troupe in multiple cities. As expected she gets to meet Shyam. She is not aware that Lin has been killed and the man posing as her husband is an impostor. She attempts to flirt with him but he seems to keep a distancefrom her.

Poor Shyam! He has too many duties to perform. He has to focus on his spy mission and manage Chen Lai’s expectations. He has to play lover to Reena. More importantly, he has to control Sin’s advances as she doesn’t know the truth. He can feel her longing for her husband and the unbearable separation but he cannot be her husband. Being an Indian man, he is committed to Reena and will stay loyal to her. Reena displays jealousy and suspects Shyam’s intentions as she is not aware of his spy act.

There are other characters like Jagirdar, who plays the head of intelligence. Rehman plays Shyam’s uncle. He has been looking after the princely state after the untimely death of Shyam’s parents. He is like a father to Shyam and is relieved when Shyam returns home. A comedy touch is provided by Polson and Mallika.

And there is a mysterious man who doesn’t reveal his identity and claims to be responsible for Vijay’s murder. After Vijay’s removal, he wants to make a deal with the Chinese and supply them the hidden arms and ammunition.

The complex plot continues till the truth about Shyam is revealed. He takes over the Chinese fighters single handedly in the backdrop of the Himalayas. And Vijay Khanna’s murderer is revealed. The love triangle is resolved amicably.

The Music

Music is perhaps the only saving grace in the movie. There are 3 lyricists Shevan Rizvi, S.H. Bihari, and Hasrat Jaipuri with music by the dependable O.P. Nayyar. Many of Joy Mukerjee films had great music by O P Nayyar (including Ek Musafir Ek Haseena, Phir Wohi Dil Laya Hoon, Dil Aur Mohabbat and Ek Baar Muskura Do).

There are 6 songs in Humsaya in the voices of Mohammed Rafi, Mahendra Kapoor and Asha Bhosle. Mohammed Rafi sings the soulful Dil ki awaaz bhi sun and the romantic duet Mujhe mera pyaar de do. Woh haseen dard de do and Kitna Haseen Hai Ye Jahaan are picturised on Mala Sinha. The solo Kanhaiya O Kanhaiya features Sharmila Tagore. There is a beautiful love triangle song starring the 3 leads – Badi mushkil se kaabu mein. One female solo Aaja mere pyaar ke sahaare was absent in the film.

My Thoughts

Humsaya could have been a better spy film but it focuses on many things at the same time losing direction. It is evident Joy Mukerjee finds it difficult to manage many fronts inside and out of the movie. For some reason I was reminded of Jewel Thief (1967) which was a winning combination of many elements like crime and heist, romance, suspense and spy thriller. That’s why an accomplished director matters.

Sadly, Humsaya portrays itself as a spy film but apart from Joy Mukerjee and Madan Puri, it does not have other major characters to add spice to the secret agent plot. There are many inconsistencies and loopholes in the story making it seem scattered. Madan Puri portrays a weak villain.

There is the unwanted murder mystery sub plot. The audience stops caring when the culprit is revealed, his intentions are not very convincing. The climax seems hilarious. The love triangle looks stretched. Sharmila Tagore doesn’t have much to do. Comparatively, Mala Sinha is more impressive as she tries to get closer to the man she thinks is her husband until the truth is revealed. The songs provide the necessary relief but are not enough to save the film.

“Rain duets” 90s Songs

It is the rainy season again and time for a post on this theme. I had written on the rain duets from the pre-90s  era a couple of years back. The post can be found here. Rain songs have their own charm. Most of the time they are used in romantic situations but sometimes they speak about longing and separation too. Today’s post is about rain duets all from the 1990s and beyond. Each song presents a different flavour of this much awaited season. Which songs do you remember?


1) Song: Saawan Jo Aag Lagaye
Film: Kasam Teri Kasam (1993)
Credits: Sameer | Naresh Sharma | Mano and Anuradha Paudwal

This was a forgettable film courtesy Gulshan Kumar and T-Series. But the film had good songs. It starred his brother Krishan Kumar along with Kanchan and Neeta Puri. He is married to Neeta but attracted towards his employee (Kanchan). This rain filled number is one of the better songs of the movie. The tune is melodious and is well sung. The male singer is Mano whose voice resembles S. P. Balasubrahmanyam.


2) Song: Pehle Pyaar Ki Pehli Ye Barsaat Hai
Film: Dil Hai Betaab (1993)
Credits:  K. K. Verma| Laxmikant Pyarelal | Udit Narayan and Kavita Krishnamurthy

This is probably another forgettable film of the 90s starring Ajay Devgan, Vivek Mushran and Pratibha Sinha. But this song was popular during its time. Ajay Devgan imagines he is singing this duet with his first love. This is probably one of the few songs where Ajay Devgan is made to dance! There is a lot of jumping around in the rain by the actors which looks funny.


3) Song: Rimjhim Rimjhim
Film: 1942: A Love Story
Credits: Javed Akhtar | R. D. Burman | Kumar Sanu and Kavita Krishnamurthy

What can we say about this song! It is subtle, melodious and leaves its impact. The picturization is lovely as we see the blossoming of love between the lead actors Anil Kapoor and Manisha Koirala. Many feelings are conveyed though they are not said openly.


4) Song: Tip Tip Barsa Paani
Film: Mohra (1994)
Credits: Anand Bakshi | Viju Shah | Udit Narayan and Alka Yagnik

This list cannot be complete without this song. The music pattern, singing and the picturization have made it an iconic song. A sensous Raveena Tandon woos a reluctant Akshay Kumar. He cannot resist her appeal and moves closer to her. There is a display of sizzling chemistry onscreen.


5) Song: Chhatri Na Khol Barsaat Mein
Film: Gopi Kishan (1994)
Credits: Sameer | Anand Milind | Kumar Sanu and Poornima

This is a typical song from Anand Milind. The picturization is actually amusing to watch. Shilpa Shirodkar is trying to convince Sunil Shetty to leave the umbrella aside and enjoy the rain,. But he is not interested and asks her to leave him alone. The song is sung impressively by the underrated Poornima.


6) Song: Koi Ladki Hai
Film: Dil To Paagal Hai (1997)
Credits: Anand Bakshi | Uttam Singh | Udit Narayan, Lata Mangeshkar and chorus

This is a delightful song and stands out for its catchy tune and infectious rhythm. Right from the intro lines Ghode jaisi chaal haathi jaisi dum, o saawan raja kahaan se aaye tum? to the rhythmic lyrics Chaak dhoom dhoom, Chaak dhoom dhoom, it hooks you completely. Shah Rukh Khan, Madhuri Dixit and Karisma Kapoor add their charm on screen with a bunch of kids frolicking in the rain.


7) Song: Jo Haal Dil Ka
Film: Sarfarosh (1999)
Credits: Sameer | Jatin Lalit | Kumar Sanu and Alka Yagnik

This is a well picturized duet song on Aamir Khan and Sonali Bendre. The song begins with a surprise birthday celebration and the scene transforms to a dreamy rainy setting. Love is finally admitted. Interestingly, the lyrics do not have a direct reference to the rainy weather or the feelings invoked because of it.


8) Song: Idhar Chala Main Udhar Chala
Film: Koi Mil Gaya (2003)
Credits: Ibrahim Ashk | Rajesh Roshan | Udit Narayan and Alka Yagnik

This is a cute song between the unlikely pair of Rohit (Hrithik Roshan) and Nisha (Preity Zinta) as depicted in the movie. It starts raining suddenly and Rohit starts singing and dancing. Hrithik gets a chance to display his impressive dancing skills. It is well choreographed by Farah Khan (she won the Filmfare Award).


9) Song: Saason Ko…Hum Tum
Film: Hum Tum (2004)
Credits: Prasoon Joshi | Jatin Lalit | Babul Supriyo and Alka Yagnik

This is a soft romantic duet starring Saif Ali Khan and Rani Mukherjee. The lead couple are caught in the rain. She sees the people around them engaged in romantic situations. She imagines herself and the hero in place of those people. The rain does its job of bringing them together.


10) Song: Lagaa Lagaa Laaga Re Laaga Premrog
Film: Maine Pyaar Kyu Kiya (2005)
Credits: Sameer | Himesh Reshammiya | Kamaal Khan and Alka Yagnik

This is a random song in this messy comedy film. The rain is incidental to the situation. The wind is blowing, there is a hint of rain and Sushmita Sen starts performing the song. Salman Khan is embarrassed but he joins later after it starts raining heavily. The tune is catchy and Sushmita dances well.

Dhyanimani (2017)

Dhyanimani is an expression which means deeply embedded in one’s thoughts, mind, and heart. It describes something you are constantly aware of, remembering, or preoccupied with, even subconsciously. That is the complexity of the human mind and it is difficult to predict its behaviour and reaction to a given situation. This can have a prolonged effect on a person as he/she is unable to distinguish the difference between reality and imagination. The Marathi film Dhyanimani explores a similar theme about human psychology. It also talks about societal pressures that may lead to undesirable consequences.

Dhyanimani is a seemingly simple story of a happy family but all is not “normal.” The film has a limited star cast of Mahesh Manjrekar, Ashwini Bhave, Abhijeet Khandkekar and Mrunmayee Deshpande. Mahesh Manjrekar had produced the play with the same name in the 1990s and adapted it as a movie years later in 2017. Prashant Dalvi is the writer and Chandrakant Kulkarni has directed the film.


The Plot

The story begins with a young couple staying in Mumbai. Dr. Sameer Karandikar (Abhijeet Khandkekar) is a clinical psychologist working at the university. His wife is Aparna (Mrunmayee Deshpande), a microbiology research student. Aparna is not in a good mood. Her pregnancy test result has come out positive. Apparently, the couple have married at a young age and are not ready to welcome a child so early in their married life.

She calls Sameer to give him the unexpected “good” news. Things settle down after they talk at home and share the news with Sameer’s father Vinayak Karandikar (Madhav Abhyankar). Aparna calms down and accepts the situation. They are ready to welcome the bundle of joy in their house. Sameer proposes they go on a short trip for a change of scene and Aparna agrees.

But they cannot go far from Mumbai due to their commitments. Sameer’s father proposes they should go to Roha in Konkan, and stay at a resort that he is aware of. The resort in charge is one of Karandikar’s old students Sadanand alias Sada Pathak (Mahesh Manjrekar). Sada’s wife is Shalini (Ashwini Bhave), who also was Karandikar’s student. Both have a lot of respect for Karandikar Sir and treat him like their father. They have a 12-13 year old son Mohit. Shalini regularly writes to Karandikar keeping him updated about all the happenings in their life. Sameer and Aparna have heard a lot about Sada and Shalini though they have never met. They agree to go to the resort without any prior intimation to the Pathaks.

The couple head to Roha by train and arrive in the morning. The setting moves to the resort guest house where Sada and Shalini reside. Shalini is serving breakfast to Sada. There is routine family talk. Mohit has gone on a school trip and will be back in the evening. Shalini seems to be a housewife whose world is centred around her husband and son. Sada gets irritated by her constant chattering. She reminds Sada that Mohit needs a new uniform, he is growing so fast. They will go this Friday to the market. Shalini keeps talking about Mohit this and Mohit that and Sada asks her to calm down. Apparently, the Pathaks are not very well off and Sada has to keep an eye on the house budget.

Finishing breakfast, Sada is about to leave for work when the bell rings. They see the strangers at the door and look at each other questioningly. Sameer and Aparna greet them. Sada and Shalini don’t recognize them but matters are cleared, and they are welcomed happily. Sameer asks Sada to arrange for a room in their resort. But Shalini tells them that he is Karandikar Sir’s son and like family, the couple will stay with the Pathaks in the guesthouse. Sada seems to be not very comfortable with the suggestion but he agrees and leaves for work.

As the couple settles down, Shalini has a long conversation with Sameer over tea. He informs her that he is not a medical doctor. He is a doctor of  psychology. She says she had studied psychology as a subject during her graduation. She talks about Mohit and child psychology.  She mentions that Sada seems to be having a psychological problem. He is constantly worrying about his work, boss, career progression and so on. She fears Mohit will develop a complex like him. Sameer asks her not to worry, such tensions are normal.

Sameer and Aparna decide to spend the day exploring the area. Before leaving they ask Shalini what gift should they get for Mohit. Shalini responds that is not required as he has so many toys and other stuff. She inadvertently mentions that Mohit was talking about a table tennis bat, Sameer thanks her for solving his query!

The young couple have an enjoyable day. They return to the guest house in the evening to find a worried looking Shalini waiting at the entrance. She informs that Sada and Mohit have not come back. Sada comes home and Shalini pesters him to go to the school and find out what has happened. Sada pacifies her and goes immediately. Sameer offers to come with him but Sada asks him not to worry. He will be back soon.

In the meantime Shalini has become hyper and tells Sameer and Aparna about how one of their neighbour’s son didn’t come back after he met with an accident during a school trip. Sameer tries to calm her down. It’s almost 11.00 pm. She asks them to go and sleep. She will wait for Sada and Mohit to come and serve dinner.

Sada comes home alone. He tells her that the bus is yet to return. There are senior students in the bus and there is no cause for worry. But Shalini is in a foul mood. She keeps talking as the lights go off suddenly because of a power cut. It’s 11.30 pm when Mohit reaches home. Sameer and Aparna hear Shalini shouting at Mohit. She is angry because he wants to go to a karate camp the next day. She admonishes him for not spending time at home. His behaviour is not acceptable. The dialogue continues as she serves him dinner.

Sameer tells Aparna that it’s better to meet Mohit now and give him the gift. They will not meet him tomorrow once he leaves for the camp. Aparna agrees. They step out in the darkness to go towards the dining table. Shalini’s non-stop jabbering is on. The lights come back suddenly and they are shocked at what they are seeing. Shalini is alone at the dining table. She is talking to thin air. Reality strikes. Mohit does not exist and lives in Shalini’s imagination.

Aparna and Sameer are too shocked to react and go back to their room. The next morning they step out early and discuss the matter. So, Shalini herself is the “psychological” case in the house. In an intense scene, Sameer confronts her directly but is taken aback at the way she counters his argument. She has been living with this lie or hallucination for years and Mohit has become a part of her life.

Later, a desperate Sada tells the truth to them. The Pathaks were childless for many years. The doctors diagnosed that Shalini can never become a mother due to a medical condition. The revelation sent her into a severe shock. The impact was so serious that she gave “birth” to an imaginary child and brought him home. Sada was obviously furious and left the house for a couple of days. When he returned, Shalini made him accept the reality. He promised never to leave her again and that he will always care for herself and their son Mohit. So, this is how the “three” of them have been living happily all these years.

Sada is fine with the arrangement as he has accepted Shalini’s condition. More importantly, she is happy. But Sameer points out that it is dangerous to live like this. Shalini needs to be treated and the illusion needs to be broken. He is happy to attempt it with Sada’s help.

Will Sada agree? More importantly, what is Shalini’s reaction as Mohit is indeed her heart and soul. Can she stay alive without his existence in her life?

The Music

The film has one song Ashi Kashi Vedi Maya written by Sandeep Khare with music by Ajit Parab. It appears as a male version in Ajit Parab’s voice and later a female solo in Madhura Datar’s voice.

My Thoughts

Dhyanimani is a case of missed opportunities. The plot has great potential with the sudden twist and suspense embedded in it. The story works as a play but it’s film version is disappointing. There are many loose ends and instances of lazy writing. Main issue is the lack of reference to and usage of technology as the film is set in 2017 when mobile phones and social media were prevalent in daily life. Many plot points that would have worked in the context of the play are not convincing in the movie.

An example is when Mohit does not return home, their is no clear suggestion to call the school, the teachers or other parents. (A single mobile call would have solved the problem!) Of course, making this suggestion would have put Shalini and Sada in a spot but such plot holes need to be addressed properly. The suspense build up is good but you feel it could have been better.

Mahesh Manjrekar is good in parts. Maybe some other actor would have been better suited to the character. Somehow his chemistry with Ashwini Bhave does not impress much. Abhijeet Khandkekar and Mrunmayee are adequate. Abhijeet plays a psychologist but his expertise is under utilized. He seems to give up easily when it comes to dealing with Shalini. Ashwini Bhave is impressive in the emotional scenes and the scene where she “deals” with Dr Sameer when he questions her about Mohit. But overall, she is loud and over the top. Her dialogue delivery and tone is unnecessarily artificial from the beginning. Her constant chattering starts to irritate you. A subdued and controlled character would have helped to generate that normal atmosphere before the shocking revelation is made. You don’t connect with the character. As a result, the impact when you know the truth about Mohit and Shalini’s condition is significantly reduced.

A more thoughtful approach would have made it a better film with better results.