All posts by GGaurav

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About GGaurav

I am passionate about old movies, songs and trivia.

Putra Whava Aisa (1961)

Films focusing on the mother-child relationship are fairly common. There is a self sacrificing hard working mother who wants to have her child (normally, a son) grow up, become rich and famous, and make her happy. She has no other wish. Whether, and how the son fulfils her expectation makes up for rest of the story. Putra Whava Aisa (loosely: the ideal son) is based on the same plot. Directed by Raja Thakur, the film manages to leave its impact without following a preachy approach on its subject.


The Plot

The opening scene shows a school function depicting its 12th anniversary celebrations. Dadasaheb (Dada Salvi), a well known businessman from Mumbai is the chief guest. A student Avinash Kulkarni (Ashok Senjit) is called to recite a poem of B B Borkar. He sings Tethe kar majhe julati. Dadasaheb is moved by the performance and gifts him a gold medal.

An overjoyed Avinash rushes home to share his achievement with his parents. His mother (played by Ratnamala) is impressed and blesses him to continue his hard work. She has only one dream to see him grow up and become a successful man. She has endured a life of hardships and seeks a better future for her son.

His father, unfortunately is not a worthy man and doesn’t share his mother’s thoughts. He sells the hard earned medal and returns home drunk. Avinash’s mother is angry and lectures him. He starts beating her. Avinash reacts and hits him with a water pot. Sadly, his father collapses and dies. Avinash and his mother are shocked by the event. But his mother calms down and warns him to never speak about this matter to anyone. She asks him to go and stay with his uncle (mama) till further notice.

Avinash rushes to his uncle’s house. He explains his father has passed away and mother is alone. His uncle decides to visit his mother and look into the matter. Meanwhile, his mother confesses the crime and is taken into police custody.

His uncle has a daughter named Shaku who gets on very well with Avinash. She is excited to have Avinash staying with them. Few days later his uncle asks him to get ready. He takes him to the court where his mother will be brought for sentencing. He asks Avinash to wait outside and not call or talk to his mother unless he is called for. That is the moment of truth for Avinash. He comes to know his mother has confessed the crime she did not commit. She has been sentenced to 12 years of imprisonment. Uncontrolled by emotion, he rushes to meet her before she is taken to prison. His mother realizes he might blurt out the truth in his hyper state. She slaps him and warns him to remain quiet. His aim should be to become successful in life. She will await that golden day when she can point towards him proudly and tell people that he is her son. But for now, separation is inevitable.

So, Avinash returns to his uncle’s house but his aunt has other plans. Being a practical woman she makes it clear they have an additional mouth to feed. They are unable to afford his education expenses. He will be expected to drop out from school and do household chores if he wants to continue staying with them. Shaku offers to drop out from school and let Avinash continue his studies, but her mother shuts her up.

Avinash knows he has to continue his studies to live up to his mother’s expectation. He decides to leave or rather run away from his uncle’s house. He boards the steamer and reaches Mumbai. There he enters a bungalow and is attacked by the pet Alsation. A girl called Nalini rushes to save him. She takes him inside the house and asks her aunty to treat him immediately. Her father arrives who is none other than Dadasaheb. Dadasaheb recognizes Avinash as the deserving school student who had been gifted the gold medal. Avinash informs he is now an orphan and he is ready to do any work to continue his education in Mumbai.

Dadasaheb is impressed and offers him a helping hand. He makes all arrangements to take care of Avinash. He is accommodated in the bungalow’s outhouse. Dadasaheb tells him that he deserves to be successful. He only worships two things in life – virtues or merits and truthfulness. He cannot stand people who lie to him.

Thus Avinash settles down. He develops a close bond with Dadasaheb and Nalini. As expected he performs brilliantly in academics and becomes an engineer. The grown up Avinash is played by Vivek. Nalini has grown up into a charming woman (played by Jeevankala). Dadasaheb invites him to join his construction firm and hands him charge of the office. It is all smooth sailing.

Avinash settles down in his new role. He loves his work. Another important character is introduced at this point. There is a young typist (played by Ratna) working in the office. She is a widow who lives with her mother. In their first meeting, Avinash scolds her for coming late. She explains later that her mother is not keeping well and he mellows down.

Amidst his progress, Avinash has not forgotten his mother. He goes to meet her and inform about his achievements. He explains how he came to Mumbai and Dadasaheb helped him to become the person he is today. She is gratified after hearing all this. He has fulfilled her expectations as an ideal son would do. She will be released soon and they look forward to reunite and lead a happy life.

Dadasaheb proposes that Nalini and Avinash should get married. Avinash is happy but worried. He has lied to Dadasaheb of being an orphan. Dadasaheb, being a man of principles will never accept this. Avinash is in a dilemma. On one hand is all his success, Dadasaheb and Nalini outweighed by his mother on the other side. What path will he choose?

The Music

Vasant Prabhu delivers melodious tunes to the lyrics of B B Borkar, P Savlaram and Dr Avasare. B B Borkar’s poem Tethe kar majhe julati is voiced by Asha Bhosle.

P Savlaram has written 4 songs. Aai kuna mhanu mee is a soulful rendition by Asha Bhosle. There are 2 Suman Kalyanpur solos – the beautiful Yaman composition Jithe sagara dharani milte and Baghata hasuni tu mala. And surprise, the fourth song Yash he amrut zaale is sung by none other than Talat Mahmood. This was the first time he was singing in Marathi and won the Maharashtra State Award for best playback singer.

The last song Swapne Manatali by Dr Avasare (Shanta Shelke used this pen name due to some compulsions) is a sad duet by Talat Mahmood and Suman Kalyanpur.

My Thoughts

The film avoids going in the melodramatic mode which is commonly seen in these mother-son relationship movies. This is a simple story and there is no villain or vamp in the plot. The hero’s dilemma is handled effectively leading to a satisfactory ending. The actors perform to their abilities. The music is memorable going with the times.

Munimji (1955)

My introduction to Munimji (meaning accountant) was because of its songs, primarily Jeevan ke safar mein raahi which appears in 2 versions. The movie was made under the prestigious Filmistan banner, directed by Subodh Mukherjee. Nasir Hussain is credited with the screenplay and dialogues, who became a successful producer and director with films like Tumsa Nahi Dekha, Jab Pyar Kisise Hota Hai, Phir Wohi Dil Laya Hoon and Teesri Manzil. Starring Dev Anand, Nalini Jaywant, Nirupa Roy and Pran, the film stays afloat because of its star power and music.


The Plot

The first 30 minutes are complicated as the film tries to set the tone. The opening scene shows the police discussing the whereabouts of a dacoit known as Daaku Kala Ghoda and his gang. They are planning to set up a police chowkey near the edge of the jungle. Inspector Sharma is assigned this job. In the very next scene we see the dacoits looting the helpless villagers. Helping them is a young girl Bela (a very young Ameeta), who entertains the crowd with her dancing (reminded of Mera Saaya: Jhukma Gira Re?) while the dacoits attack and loot the unsuspecting crowd. The leader of the dacoits is Kala Ghoda (Pran) and the girl Bela is his wife. He has a tattoo of her face on his hand. Later, Kala Ghoda gets shot by the police and he arrives at his hideout injured.

The scene moves to a house. Malti (Nirupa Roy) is a servant at the house of Captain Suresh. She is worried that the Captain’s son Ratan had gone hunting and not returned for 2 days. It’s his birthday the next day. Ratan is actually Pran, who is also the dacoit Kala Ghoda. A man with 2 identities.

The Captain has got a watch as a gift for Malti’s son Amar, who is celebrating his birthday that day. Malti had totally forgotten about her son’s birthday. Apparently, she has been showering all her affection on Ratan, treating him as her own son. Ratan’s parents have passed away and the Captain has brought him up as his own son. Ratan has been made the factory manager and is engaged to the Captain’s daughter Roopa. Captain leaves for the factory after informing Malti that Roopa will be arriving tomorrow. She and her brother Shekhar have been staying abroad for some time.

Time for the “munimji” to enter. This is Amar (Dev Anand) who is Malti’s son and works as a munim in the Captain’s factory. He has a very unattractive appearance and speaks in a boring tone.

Malti hands him the watch and he admonishes her for forgetting his birthday. He accuses her of caring and worrying about Ratan all the time. Ratan has been ill treating Amar right from their childhood. Malti never scolded Ratan. It was Amar who had to bear the brunt and get punished. Ratan is a spoilt brat and treats Malti as a servant and nothing else.

The boys have grown up but Malti is not ready to leave Ratan’s house. Amar offers to seek a job elsewhere and take Malti with him but she is not agreeable. Why?

There is a reason for Malti’s behaviour. It’s flashback time. We see Captain and his friend Ramlal talking. Ramlal’s wife has passed away leaving their infant son in his care. As is common in Hindi movies, Captain promises that if he has a daughter, she will marry Ramlal’s son. The Captain leaves and Malti enters carrying a child. It seems Ram had married Malti but is not ready to accept her or her (i.e. their) son now. He calls her a neech aurat and throws her out of the house. But she returns with a plan for the sake of her son.

She manages to enter Ram’s house and switch the 2 babies. Ramlal comes to know the truth and threatens to kill her. She refuses to hand over his son. In the commotion, a snake bites Ram and he dies on the spot. Captain Suresh decides to take care of his dead friend’s son. Seems he employs Malti as a maid. Thus Malti became Amar’s mother (who was Ram’s son) and the servant of her real son Ratan.

Flashback over. Malti comes to know that there was a dacoity in the jungles of Neelgaon where Ratan had gone hunting. She begs Amar to go and search for him. He admonishes her again that she doesn’t care for Amar’s safety but wants him to bring Ratan home at any cost.

A reluctant Amar goes to the jungle and meets his (pet?) elephant. (He even has a pet monkey!). Amar dresses up as a sadhu and ventures to find Ratan. He comes across the police, who are in search of the dacoits and the injured Kala Ghoda. Amar meets Kala Ghoda alias Ratan (quite easily) and discovers his true identity. The injured Ratan (who had been shot earlier) is brought home and a doctor needs to be called immediately. Ratan has lost a lot of blood and Malti is ready to donate all the blood she can to save him. A doctor called “Dady” is brought to remove the bullet and do the blood transfusion. Ratan is saved. He is super angry when he comes to know that a servant has donated her blood and insults Amar and Malti. Malti is taken aback at Ratan’s behaviour.

It is next day and Roopa (Nalini Jaywant) arrives with her brother Shekhar (Madan Mohan). Captain Suresh welcomes his children. Also welcoming her on behalf of Ratan is Amar, the munim. He hands her a necklace sent by Ratan as a welcome gift. She is impressed by Ratan’s action but irritated by the munimji’s ramblings.

She decides to drive home in her own car and tells Amar to take back Ratan’s car. (As expected), Roopa’s car breaks down. She asks Amar (who had been following her) to repair the car and bring it home. She leaves in Ratan’s car. At this point, Amar removes his munimji disguise and we see a normal Dev Anand for the first time. He calls himself Raj.

He fixes Roopa’s car and overtakes her. She doesn’t recognize him in his handsome avatar as he has shed his munimji look. She thinks he is a thief and tries to follow him. But her car hits a tree and she gets thrown out, thankfully without injury. Amar/Raj explains that he fooled her servant munimji easily and “borrowed” the car. The poor munim has to walk all the way home.

Left with no option, Roopa is forced to travel with Raj. Raj, being the hero, sings a peppy song – Jeevan ke safar mein raahi.

Huff! That’s only half an hour into the movie. What happens next is not so unpredictable. Roopa is engaged to Ratan but gets drawn to Raj. When Malti comes to know this, she requests Amar to make the ultimate sacrifice – of giving up his love Roopa for the sake of Ratan. And he agrees for the sake of his mother! Ratan remains as he is. As Kala Ghoda, he even plans to rob his own father with the help of Bela.

The Music

The songs hold the movie together and appear as relief. S.D. Burman teams up with Sahir and Shailendra. Jeevan ke safar mein raahi appears in 2 versions – happy Kishore and a sad Lata version. There is a birthday celebration song – a dance performance Shivji bihane chale by Hemant Kumar depicting the marriage of Lord Shiva. The choreography by Sachin Shankar is impressive.

Geeta Dutt and Hemant Kumar team up in the funny song Dil ki umange hain jawaan. Geeta Dutt also sings a dance number Zindagi hai zinda.

The rest are Lata Mangeshkar songs. A light composition Ek nazar, bas ek nazar jaane tamanna dekh idhar. Then there is Nain khoye khoye signalling the love between Raj and Roopa. This is followed by Ghayal hiraniya main ban ban dolu (raag Mishra Kaafi) which is a classical masterpiece. The sad Aankh khulte hi tum chhup gaye ho kaha is a song of loneliness depicting the separation of the romantic couple.

My Thoughts

The movie relies heavily on its stars and music rather than its plot which has some ridiculous elements. Dev Anand performs both roles nicely. One of the helpless and irritating munim (Amar) and the normal Raj. Apparently he disguises himself as the munim because Ratan does not like him to look good and dress up smartly. Nalini Jaywant plays the rich and classy girl convincingly. Her chemistry with Dev Anand is good and she does well in the lighter teasing scenes as well as the emotional ones. Pran is in his usual element. How he becomes a daaku is not revealed. And strangely, the shrewd Captain is unaware of all this.

Nirupa Roy’s Malti is the most problematic character. She is ready to go to any extent to keep Ratan happy. It’s possible that her actions might have led to Ratan being what he was! She doesn’t realize she is mistreating Amar who is also her late husband’s son. Nirupa Roy was quite young when she did this role (and younger than Dev Anand, Pran and Nalini Jaywant!). She won the FilmFare best supporting actress award.

Madan Mohan (yes, the music director) appears in the small role of Nalini Jaywant’s brother but doesn’t have much to contribute.

“Yaad” Duet Songs

Yaad means memory or remembrance. It can be good or bad. In Hindi cinema, yaad is most commonly associated with separation. And mostly involving lovers or family members. When you leave or separate from someone, the best way to express yourself is through a song. There are so many songs on yaad and yaadein. In today’s post, we revisit some duet songs on this theme.


1) Song: Kahan Ho Tum
Film: Malhar (1951)
Credits: Kaif Irfani | Roshan | Mukesh and Lata Mangeshkar

Malhar is an obscure film produced by Mukesh under the banner Darling Films(!). The only “yaad“of this movie today is its beautiful songs. This memorable song is picturized on Arjun and Shammi (the same Shammi who became famous as a character actress in later years). A sorrowful song and probably one of those which is best heard than seen!

Kaha ho tum, zaraa awaaz do, hum yaad karte hai,
Kabhi bharte hai aahe aur kabhi fariyaad karte hai,
Kaha ho tum…


2) Song: Yaad Kiya Dil Ne
Film: Patita (1953)
Credits: Hasrat Jaipuri | Shankar Jaikishan | Hemant Kumar and Lata Mangeshkar

A classic composition by Shankar Jaikishan and one of those immortal duets. The voices blend nicely with the onscreen characters. Dev Anand and Usha Kiran enjoy some moments of bliss on screen.

Yaad kiya dil ne kahaan ho tum,
Jhumati bahaar hai kahaan ho tum,
Pyaar se pukaar lo jahaan ho tum,
Pyaar se pukaar lo jahaan ho tum


3) Song: Tumhe Yaad Hoga
Film: Satta Bazaar (1959)
Credits: Gulshan Bawra | Kalyanji Anandji | Hemant Kumar and Lata Mangeshkar

While the movie stars Balraj Sahni and Meena Kumari, the song is picturized on another young pair of Suresh and Vijaya Chowdhury. Similar to the song from Malhar, this is another song to be enjoyed in its audio version. A lilting composition by Kalyanji Anandji, enhanced by the soulful singing.

Tumhe yaad hogaa kabhi hum mile the,
Mohabbat ki raaho mein mil ke chale the,
Bhoola do mohabbat mein hum tum mile the,
Sapna hi samjho ke mil ke chale the…


4) Song: Aapne Yaad Dilaya To Mujhe Yaad Aaya
Film: Aarti (1962)
Credits: Majrooh Sultanpuri | Roshan | Mohammed Rafi and Lata Mangeshkar

Aarti had all good songs and this is another classic composition by Roshan. Meena Kumari is so expressive as she responds to Pradeep Kumar and joins him in the duet.

Aapne yaad dilaya to mujhe yaad aaya,
Ke mere dil pe pada tha koi gham ka saya,
Aapne yaad dilaya


5) Song: Woh Jab Yaad Aaye
Film: Parasmani (1963)
Credits: Asad Bhopali | Laxmikant Pyarelal | Mohammed Rafi and Lata Mangeshkar

This is one of the best songs of Laxmikant Pyarelal in their debut film with a combination of good lyrics and singing. Filmed on a forgettable couple of Mahipal and Geetanjali, this is a memorable song in raag Yaman. It describes the state of the separated characters.

Wo jab yaad aaye bahut yaad aaye,
Gham-e-zindagi ke andhere mein humne,
Chirag-e-mohabbat jalaaye bujhaaye,
Wo jab yaad aaye bahut yaad aaye


6) Song: Yaad Mein Teri
Film: Mere Mehboob (1963)
Credits: Shakeel Badayuni | Naushad | Mohammed Rafi and Lata Mangeshkar

Mere Mehboob was another movie with one great song after the other. Rajendra Kumar and Sadhana play the romantic couple. This is a sad song about separation when the lovers are forced to move away from each other. Life is a sorrow when your loved one is not with you with only memories as your companion.

Yaad mein teri jaag jaag ke hum, raat bhar karwatein badalte hain,
Har ghadi dil mein teri ulfat ke, dheeme dheeme chiraag jalte hain, Jabse toone nigaah pheri hai, din hai soona to raat andheri hai,
Chaand bhi ab nazar nahin aataa….ab sitaarein bhi kam nikalte hain,

Yaad mein teri jaag jaag ke..


7) Song: Wo Din Yaad Karo
Film: Hamrahi (1963)
Credits: Hasrat Jaipuri | Shankar Jaikishan | Mohammed Rafi and Lata Mangeshkar

A light song talking about golden times. Mehmood and Shubha Khote are a married couple with kids. They remember the memorable times when they had lesser domestic compulsions. Life was so enjoyable then but alas change is inevitable.

Woh din yaad karo, woh din yaad karo
Woh chhup chhup ke milna, woh hansnaa hansaana,
Woh din yaad karo

Woh din yaad karo, woh din yaad karo,
Woh phoolon ki chhaiyyaan, woh mausam suhaana,
Woh din yaad karo


8) Song: Yaadon Ki Baaraat
Film: Yaadon Ki Baaraat (1973)
Credits: Majrooh Sultanpuri | R. D. Burman | Mohammed Rafi and Kishore Kumar

A duet which becomes a reuniting song for 3 brothers. The youngest brother (Tariq) sings the song which their family used to sing together every year. However their parents are killed and the three brothers are forced to separate. They remain connected by the memory of those times. After many years, through a coincidence, the 3 of them are at the same location. While Tariq sings, Vijay Arora joins in and identifies himself as his elder brother. The third brother Dharmendra is overjoyed to find his long lost brothers.

Yaadon Ki Baaraat Nikli Hai Aaj Dil Ke Dwaare,
Dil Ke Dwaare,
Sapnon Ki Shehnai Beete Deeno Ko Pukare,
Dil Ke Dwaare,
Ho O O Chhedo Tarane Milan Ke Pyaare Pyaare,
Sang Hamare….


9) Song: Naam Gum Jayega
Film: Kinara (1977)
Credits: Gulzar | R. D. Burman | Bhupinder Singh and Lata Mangeshkar

An iconic song because of the words “Meri awaaz hi pehchaan hai, gar yaad rahe“! From the pen of Gulzar. The song describes how things, events will come and go but ultimately its the voice which will remain eternal, only if remembered.

Naam gum jaayegaa,
Chehra ye badal jayegaa,
Meri awaaz hi pehchaan hai,
Gar yaad rahe…


10) Song: Yaad Aa Rahi Hai
Film: Love Story (1981)
Credits: Anand Bakshi | R. D. Burman | Amit Kumar and Lata Mangeshkar

And to end the list a song between two young lovers. A typical situation where the boy meets the girl and hate each other. Circumstances lead them to spend time together. Later when they separate, the separation leads to the realization of love. They sing this beautiful duet remembering each other. Starring Kumar Gaurav and Vijayta Pandit. There is a solo version of the song for which Amit Kumar won the FilmFare award.

Yaad aa rahi hai, teri yaad aa rahi hai,
Yaad aane se, tere jaane se, jaan ja rahi hai