All posts by GGaurav

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About GGaurav

I am passionate about old movies, songs and trivia.

Ek Paheli (1971)

Earlier this year I had reviewed the classic movie Mahal. It was a trendsetter in the horror suspense genre. As expected, after Mahal, there came many imitations. Ek Paheli is one such movie. While it does not involve an old mansion, it has a beautiful and mysterious woman who visits the hero and sings sad songs. The hero is mesmerised by her presence and longs to be with her. The attempt was good but the film falters in delivering to the expectations. Naresh Kumar is the director with Feroz Khan and Tanuja in the lead roles.


The Plot

Ek Paheli is set in Goa and begins with a mysterious scene. We see an auctioneer shop D’Silva and Sons in Panjim. The owner D’Silva (B M Vyas) is sitting outside the shop when a girl (Tanuja) arrives. She has heard there is a piano being sold and requests to have a look. He agrees. She goes in, sits and starts playing the piano. Later, the owner goes inside to find the shop empty. He looks everywhere but the girl has vanished. He is totally puzzled. The titles roll in.

Its time for the hero’s entry. Foreign educated Dr. Sudhir has returned to Goa. He is a millionaire, and a mine owner. The welcome party at the airport includes his employees Rajendranath (Rocky) and Lily (Tuntun). The presence of the two means there will be a comedy side plot. Sudhir is happy with the welcome. Outside the airport we see a sinister looking man Shankarlal (Madan Puri) smoking a pipe. He observes as Sudhir drives away in his flashy sports car. (It is later disclosed that Shankarlal was Sudhir’s father’s business associate but the father had terminated their association.)

Sudhir arrives home (its a brand new bungalow), and is welcomed by a very old looking servant John (Bipin Gupta), who has served the family for 40 years. Sudhir’s father has passed away and apparently he doesn’t have any close relations. It is mentioned that Shankarlal is staying in their old bungalow (the reason is not elaborated). Rocky tells Sudhir he is arranging a big party and planning is in full swing. Sudhir looks around the house. He finds out there is a church and graveyard right next to it and is a bit uncomfortable. But Rocky and John assure him in their own ways. Sudhir notices a vacant space. He decides it’s perfect to place a piano there. Apparently, he is fond of music.

So he participates in a piano auction in the same shop of Mr D’Silva that was shown at the beginning of the movie. Seems it’s the same piano that the mysterious girl was interested in. Another potential customer called Julie gives him tough competition but he outbids her and purchases the piano for 700 rupees.

As he is leaving, the mysterious girl meets him. She tells him he is a good man and she is happy he has purchased the piano. Apparently, she is interested in the piano and knows much about it. She mentions it has a faulty reel and requests him to get it repaired from a good technician. He invites her to come over and fix it herself. She is happy at the suggestion. She goes to his house, repairs it, and requests him not to allow any one else to play it except himself. He agrees and welcomes her to come and play the piano anytime she wishes to do so. She is ecstatic and thanks him.

He asks her name and she replies cryptically, singing Aansoo ki ek boond hoon main (I am a tear drop). Why does she sing the sad song? We don’t know as Rocky enters with a list of party guests and invitation cards. Sudhir takes a card for inviting the girl but when he turns, the girl has vanished. He is left puzzled.

Its party time. The guests arrive including Shankarlal and Julie (the girl at the auction). Julie mentions that a girl had requested her not to purchase the piano and is happy that Sudhir outbid her. (But who was that girl? why did Julie agree? is not revealed). Sudhir is in a jolly mood. He requests Julie to play the piano. She is about to play when the church bells start ringing indicating a funeral is underway. She excuses herself but Sudhir and Shankarlal coax her to play. She does so but the atmosphere suddenly changes. There is thunder, lightning, and a fierce wind accompanying the melody of the piano. The lights go off. Julie drops dead, shocking everyone in the party. The mysterious girl had requested only Sudhir to play the piano. Is there any connection with this event?

Shankarlal points out the inauspicious occurrence to Sudhir. Sudhir is shaken. He goes to the police station. The inspector is Sanjeev Kumar in a guest appearance. Sudhir is informed that Julie died due to a heart failure. Sudhir goes to her funeral and meets her family. As he is leaving, he sees the mysterious girl appearing in mourning attire. She again makes some cryptic comments regarding life and death and goes to pay her respects. When she is back, she is a changed girl. Suddenly all chirpy and full of life. She requests Sudhir to drop her at her school. So, she is a school student (aged 19 or 20!). (Why a student will arrive at a stranger’s funeral is another puzzle!).

Later, that night, the girl is back in Sudhir’s house. Its past midnight. She starts playing the piano and singing the same song about being a tear drop. Sudhir wakes up and rushes to find her engrossed in the song. After more puzzling conversation, he asks her name and intention. She reveals her name as Maria and she likes to be secretive to avoid people seeing them together as this will impact his reputation. (Noble thought!). Sudhir seems to believe everything. He is impressed and asks her to have some coffee and sends for John. But the girl vanishes as Sudhir switches on the light and hears John approaching.

Sudhir is puzzled as John has not seen the girl or heard her singing. John admonishes Sudhir for acting strangely. Sudhir gets irritated and shouts at him. Apparently, John was awarded some shares by Sudhir’s father. Sudhir insults him and reminds him that he is a servant and he shouldn’t forget that.

Rocky takes Sudhir on a tour of his property. Sudhir sees Maria suddenly and follows her. She is singing another song Main ek paheli hoon, barson se akeli hoon. As the song ends she enters a graveyard and he meets her. She tells him that she comes here often after school. She loves the peace and silence. He expresses his desire to spend his life with her but she cautions him. Their religions are different and they need to maintain their dignity. He doesn’t agree but she gives an example of his servant John, who would not accept her relation with his master. He admits his love but she leaves hurriedly.

When Sudhir returns home, he finds John has been murdered. Shankarlal arrives, playing the role of Sudhir’s well wisher. He reminds Sudhir that this is the second death in his house. He offers all help and guidance to Sudhir. He feels that some business rivals may be involved in this matter. He even suggests Sudhir to wrap up his business and leave for good but Sudhir does not agree. He needs to sort the matter at hand.

They go to the police. They are informed that John was killed by injecting a syringe filled with air. Its good to see that the police have done a lot of homework! They treat Sudhir as the prime suspect as he had a fight with John last night and seems John was entitled for a significant amount from Sudhir’s business profits.

Shankarlal goes with Sudhir to his office. We see him planting the (murder weapon) syringe in Sudhir’s drawer. So Shankarlal is the villain of the piece. He wants to lay hands on Sudhir’s business. But Sudhir is saved when Lily finds the syringe and informs Rocky. Thew throw the evidence in the sea. Sudhir is not amused.

The saga continues as Shankarlal tries to trap Sudhir. He also uses his secretary Rosy (Aruna Irani) for the job. Sudhir mistakens Rosy for Maria due to similarity in their figure and dressing styles. Shankarlal plots to have Rosy impersonate Maria, fool Sudhir and kill him in an accident.

Will they be successful? Sudhir is in love with Maria but she remains a puzzle. Will she reveal everything? Will they unite in love?

The Music

Asad Bhopali is the lyricist and music by Usha Khanna. The title song Main ek paheli hoon and Aansoo ki ek boond hoon are the better songs. Then there is Ab To Aaja Dhalne Laage Hai. All 3 solos are by Suman Kalyanpur.

There is a romantic duet by Mohammed Rafi and Suman Kalyanpur, “Mera Tumhara Saath Toh Sadiyo Ka Saath Hai.” There are 2 unnecessary songs, a long duet picturized on the comedy pair “Oh Darling I Love You” (by Mohammed Rafi and Usha Khanna) and a seductive song by Aruna Irani “Ye Raat Ye Jawani, Ye Botal Sharab Ki” (sung by Suman Kalyanpur). Overall, the music is repetitive and doesn’t have much recall value.

My Thoughts

The film engrosses you initially. Tanuja looks beautiful and plays the mysterious Christian girl convincingly. She looks the part but it is difficult to imagine her as a school girl. They could have mentioned she was in college suiting her age and attire. Her performance is controlled as most of her scenes require her to be in a sad mood, talk in puzzles and not display other emotions. Feroz Khan looks handsome and dashing but that’s about it.

The suspense build up in the first hour is good as you anticipate a certain twist but that doesn’t happen. After the villain is revealed, the film gets boring. You just hope it to end soon. There are many loopholes and red herrings just to keep the viewer’s attention. But when the final reveal happens, it all sounds silly. The comedy side plot is long and boring. Rajendranath is funny but again, it adds nothing to the story when it becomes repetitive. Other characters are predictable. Sanjeev Kumar is wasted. The film has a 60s feel and its nice to see Goa on screen with much of its natural splendor.

In summary, this one is no Mahal and that’s not a puzzle.

Ek Daav Bhutacha (1982)

Many years back I had seen the English movie Blackbeard’s Ghost (1968). The movie was about a pirate “ghost” whose spirit is invoked by the hero and how they team up to take upon the opposition. I realised Chamatkaar (1992) starring Naseeruddin Shah and Shah Rukh Khan was inspired from the same film. And it was the inspiration for the Marathi film Ek Daav Bhutacha (One turn/game of a ghost) too. While the setting and characters are different it succeeds in entertaining the viewers. The movie is produced and directed by Ravi Namade.


The Plot

Dilip Prabhavalkar plays a school teacher Sadashiv Tukaram Deshmukh. It’s his farewell function as he has been transferred to another village called Tagewadi. He is warned by the principal that the village is full of crooked characters and difficult for a new teacher to survive. Several teachers have run away from their jobs.

Sadashiv is a simple and meek man. He does not have a family or relatives. Next day, he starts for Tagewadi.

Sadashiv enters Tagewadi and immediately gets a feel of the things to come. 3 men rough him up when he alights from the bus as part of a prank or “timepass.” He is insulted when he goes to a restaurant for a cup of tea. Even the women don’t behave normally. Left to himself, he finally locates the village school.

The school principal (D M Mirasdar) welcomes him. He is asked to settle down in the old school gymnasium. These will be his living quarters. The principal is overjoyed when he hears Sadashiv is a bachelor and invites him for dinner. There is a reason. The principal has a dim witted daughter Shanta who is trying to clear her matriculation exam. The plan is to introduce Shanta to Sadashiv, and slowly plan their marriage.

The next day Sadashiv visits the house of Radha mausi (Sulochana). Radha along with her daughter Durga (Ranjana) run a small mess. Durga is a fiery character and makes clear the terms and conditions. Sadashiv accepts and hands over the advance payment. His food problem is solved.

It’s Sadashiv’s first day in school. On the way, he sees a temple and participates in a devotional song. This is a random song (Tuch maay baap bandhu), apparently to show that he he sings well and plays the harmonium too.

He enters the class room to meet his students. The students are bratty like the other villagers, all ready to play pranks and trouble him. Predictably, there is a cartoon of the new teacher drawn on the blackboard. Paper missiles are aimed at him as a welcome gesture. But Sadashiv is a shrewd teacher. He is able to get the class under control by finding the pranksters and warning them.

A few weeks pass. Sadashiv gets closer to Radha and Durga. They treat him as a family member after he helps them during Radha’s illness, and when a shady character tries to molest Durga and Sadashiv saves her. Sadashiv and Durga have started taking an interest in each other but both are yet to admit it openly.

Sadashiv settles down in his teacher’s role successfully. The students are under his control and the other teachers wonder how he has managed to do this.

But the crooks in the village will not leave him alone. The village chief (sarpanch) played by Mohan Kothiwan is a dominating character. One day, his son (or nephew) beats a fellow student Shankar and talks rudely to Sadashiv. Sadashiv slaps him and the boy leaves after warning him. Later, the sarpanch’s brother (a wrestler) bursts in Sadashiv’s classroom and threatens him of dire consequences. The sarpanch ensures the other boy Shankar is expelled. Sadashiv is hepless when Shankar’s mother pleads to take him back.

Things take a turn for the worse when the sarpanch invites a dancer Shevanta to perform in the village. When she complains about the accommodation provided, he forcibly evicts Sadashiv from his quarters and assigns them to Shevanta and her troupe. A powerless Sadashiv heads towards an old and abandoned building. He reluctantly settles down for the night.

Sadashiv’s life is about to change. He hears a disturbance and goes to investigate inside the building. He meets a man who introduces himself as Khandoji Farzand (Ashok Saraf). Khandoji was a soldier in Chhatrapati Sambhaji Maharaj’s army some 300 years back. In other words, he is a ghost (or spirit). Sadashiv has had enough of the villagers’ pranks. He tells Khandoji that he seems to be an actor from a drama company and leaves the building.

But Khandoji pursues him. He demonstrates a few tricks to prove he is a ghost. Only Sadashiv can see him and he is not going to leave him alone. Sadashiv asks him why he is wandering as a ghost all these years. Khandoji informs him that he had killed the husband of the girl whom he was in love with. She was the daughter of a sardar (commander) whereas he was a common soldier, a servant. The girl went mad after her husband died. Khandoji was repentant about his actions and his spirit has been seeking redemption ever since. He believes he will achieve it if he is able to conduct a good deed by helping someone. Of course, he cannot do this alone and needs someone in this task. Sadashiv accepts his explanation and from thereon they are inseparable and thick as friends.

Khandoji helps Sadashiv to tackle his detractors one by one. And you see some special effects on screen accompanied by some amusing scenes. The ghostly actions scare away the dancer and Sadashiv moves back to his residence. Shankar, the expelled student is reinstated. The sarpanch and his cronies are also dealt with and so on.

Most importantly, Khandoji plays a role in bringing together Sadashiv and Durga. But the sarpanch plans to disrupt their marriage and teach them a lesson.

Will he be successful? Will the lovers unite and what is Khandoji’s future? Will he ever be free?

The Music

The songs are not that well known. Sudhir Moghe is the lyricist, with music by Bhaskar Chandawarkar. Shrikant Pargaonkar sings the devotional song Tuch maay baap bandhu, and the duet with Anuradha Paudwal, Vishawalli asuni bhavti. Anuradha Paudwal renders the romantic solo Mee fasle, whereas Usha Mangeshkar sings the lavani Aho raya mala rang mahalaat thewa.

My Thoughts

The story, screenplay and dialogues are by well known writer D M Mirasdar. He also acts in the movie. The story is good and the dialogues are crispy and witty. Considering other films of the times, the subject is different. Wish there were more entertaining special effects but I think that depends on the movie’s budget. The weak production values are evident. However, the effort is worth a watch.

Dilip Prabhavalkar, Ranjana, Ashok Saraf and Sulochana share the acting honours. Their acting is natural and effective. The chemistry between the leads is convincing though Dilip and Ranjana would be considered an odd lead pair. Dilip and Ashok’s give and take are hilarious, both being such splendid actors. The supporting cast consisting of known names like Mohan Kothiwan, Mohan Joshi, Ram Nagarkar, Shriram Ranade and Raghvendra Kadakol are convincing.

Shah Rukh Khan – 1 actor – 10 voices

Shah Rukh Khan is celebrating his 60th birthday today (02-November). Famous as SRK or King Khan or Baadshah, he is arguably the most famous star since Amitabh Bachchan. He had first appeared in T.V. serials on Doordarshan and made his film debut in 1992. Interestingly, he played the obsessive lover or anti-hero in his initial films before settling into his evergreen romantic hero image. The image became stronger with a string of hit films. His performances, chemistry with his co-stars, the charm, mannerisms and swagger have all created the matchless SRK phenomenon.

Today’s post is dedicated to SRK through his songs. Over his career of 30 years, multiple playback singers have had the opportunity to sing for him. We can say the songs in their voices have also contributed to SRK’s success as a leading man for so many years. So, here are 10 songs of the actor in 10 different voices. Which are your favourites? do mention in your comments.


1) Song: Dil Aashna Hai
Film: Dil Aashna Hai (1992)
Credits: Majrooh Sultanpuri | Anand-Milind | Suresh Wadkar and Sadhana Sargam

This was supposed to be SRK’s debut movie but it released after Deewana. Dil Aashna didn’t do well but Deewana was a success. I believe this is the only movie (apart from Guddu (1995)) where Suresh Wadkar has sung for SRK. It is a not a bad song and the voice suits the tune and mood (if not SRK!).


2) Song: Koi Na Koi Chhahiye
Film: Deewana (1992)
Credits: Sameer | Nadeem-Shravan | Vinod Rathod and Chorus

This was SRK’s debut film and marked his dashing entry into the film industry. This was his introduction song and he arrived in style. SRK won the Filmfare Best Debut award that year. He played the reckless cum obsessive character and the audience welcomed him with open arms. Vinod Rathod’s voice suits him perfectly here. He also sang Aisi deewanagi in the same film. Interestingly, Rishi Kapoor played the leading hero and had Kumar Sanu singing for him.


3) Song: Ye Kaali Kaali Aankhen
Film: Baazigar (1993)
Credits: Dev Kohli | Anu Malik | Kumar Sanu, Anu Malik and Chorus

SRK continued his good run in 1993 and played the openly negative character of Ajay Sharma in Baazigar. But the audience didn’t mind! This was another hugely successful film with great songs. Baazigar deservedly got SRK the Best Actor Filmfare award. SRK’s energy and dance skills are on display in this song. This was his first film with Kajol. They are one of the best remembered pairings of their time.

Kumar Sanu was the one of the top singers of the 90s and sang for SRK in many movies till 1997. Kumar Sanu won the Filmfare Best Playback Singer award for this song.


4) Song: Tu Mere Saamne
Film: Darr (1993)
Credits: Anand Bakshi | Shiv-Hari | Udit Narayan, Lata Mangeshkar and Chorus

Another movie, another obsessive lover. SRK stalks Juhi Chawla. She is another actress who made a great pair with SRK. SRK’s role had been offered to Rishi Kapoor who declined and recommended SRK’s name to Yash Chopra. The rest is of course history. The dialogue I love you, K-k-k- Kiran has become iconic. SRK was nominated in the Best Villain category in the annual Filmfare awards.

This was the first film where Udit Narayan became SRK’s voice and has possibly sung the most songs for him.


5) Song: Main Koi Aisa Geet Gaoon
Film: Yes Boss (1997)
Credits: Javed Akhtar | Jatin-Lalit | Abhijeet, Alka Yagnik and Chorus

Abhijeet is often cited as SRK’s voice. The charming Badi Mushkil Hai from Anjaam was his first song for SRK. In Yes Boss, SRK again teams up with Juhi Chawla. The soft romantic number is pleasant to listen to and view on the screen. Abhijeet won the Filmfare Award for Best Playback Singer for his effort. One thing to note, SRK is not steady for a moment throughout the song. What an energy the actor has!


6) Song: Satrangi Re
Film: Dil Se (1998)
Credits: Gulzar | A. R. Rahman | Sonu Nigam, Kavita Krishnamurthy and Chorus

This can be termed as a legendary song for its lyrics, singing, music, exotic location and the choreography. The picturization is marvellous and Manisha Koirala never looked so ravishing! Sonu Nigam was slowly making his name at that time and this song proved his prowess and versatility. Sonu went on to sing some prominent songs for SRK in various genres.


7) Song: Main Hoon Don
Film: Don (2006)
Credits: Javed Akhtar | Shankar Ehsaan Loy | Shaan and Chorus

Don was a remake and faced criticism when compared with the original. But the film was a success. Shaan has sung a handful but famous songs for SRK. This is a self description song and Shaan adds his special touch.


8) Song: Ankhon Mein Teri
Film: Om Shanti Om (2007)
Credits: Vishal Dadlani | Vishal-Shekhar | KK

After being more than 15 years in the industry, SRK continued his successful run at the box office. He was paired with new heroines like Deepika and Anushka, who made their debuts in his films. OSO was produced by Gauri Khan under SRK’s home production Red Chillies.

The late KK was in a class of his own. Unfortunately, he sang only a couple of songs for SRK. This is a lovely romantic song in a retro setting and KK takes it to another level. SRK and Deepika elevate the impact with their onscreen chemistry.


9) Song: Haule Haule
Film: Rab Ne Bana Di Jodi (2008)
Credits: Jaideep Sahni | Salim-Sulaiman | Sukhwinder Singh and Chorus

Sukhwinder Singh got his first hit with Chaiyyan Chaiyyan in Dil Se. Who can forget SRK emoting on top of the train? He sang a few more songs including this one from Rab Ne Bana Di Jodi. In the film, a goofy looking SRK is forced to marry Anushka Sharma due to unavoidable circumstances. She maintains a distance from him. But the positive SRK convinces his heart that matters will improve and love will blossom slowly and gradually. Sukhwinder won the Filmfare Best Playback Singer award for this song.


10) Song: Gerua
Film: Dilwale (2015)
Credits: Amitabh Bhattacharya | Pritam | Arijit Singh & Antara Mitra

And the final song in the voice of Arijit Singh, the most famous voice of the current generation. SRK appears with Kajol in this not so memorable Rohit Shetty film. But the song is a delight and succeeds in bringing out the same vibes that only SRK can. Come, paint me in the colour of love.