All posts by GGaurav

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About GGaurav

I am passionate about old movies, songs and trivia.

Do Jasoos (1975)

12 July was Rajendra Kumar’s death anniversary and his birthday falls on 20 July. I thought of revisiting one of his later movies. That is after his jubilee stardom was on the wane, and a new crop of actors had made their way in the 70s. In Do Jasoos, he teams with his old friend Raj Kapoor with both playing the protagonists. The movie was made under Rajendra Kumar’s banner Dimple Films and directed by his brother Naresh Kumar.


The Plot

Dharamchand (Raj Kapoor) and Karamchand (Rajendra Kumar) are two out of work detectives. Their job is to roam around singing the title song highlighting some evils in the society like the widespread adulteration of milk, food items and medicines, unwanted strikes by labour unions and so on.

They are deep in debt with no resources. They have locked the office and put up a fake notice stating they are away in Kashmir for some important work. Well, both are inside the office deciding on the next course of action. They decide to stop all social service and concentrate on real work. Better late than never!

Coincidentally, they get a phone call from Seth Nihal Chand (Asit Sen). Upon visiting his house, he tells them his daughter Hema (Farida Jalal) is getting married next week but has ran way with her boyfriend. He wants them to bring her back at all costs as soon as possible. Unfortunately his glasses break when he is searching for Hema’s photo and gives her friend’s photo (named Pinky Verma) by mistake. Dharamchand & Karamchand promise to bring her back in return of a hefty fee cum reward.

Here we are introduced to their two wheeler partner in detection – Radha. They even sing Bol Radha bol sangam hoga ke nahin. They are lucky and find the real daughter Hema immediately, who returns home. But they continue the search of the friend Pinky Verma (Bhavna Bhatt). This is where the real story begins.

Ashok Sinha (Shailendra Singh) is a singer. He is in love with Pinky Verma. Ashok’s father V.N Sinha (Manmohan Krishna) is a journalist. He was responsible for exposing the bad deeds of Prem (Prem Chopra) which resulted in Prem going to jail. As a result, Prem’s father, who is now dead has left his property to Pinky Verma. Apparently Prem’s father had ill treated Pinky’s late father and deprived him financially and wants to make amends and compensate his family! By the way, Pinky’s mother (Dulari) is blind. Too complicated.

Prem is out of jail and is happy to hear of his father’s death but not happy to hear about the will’s implications. He joins hands with his smuggling partner Motilal Sippy (Kamal Kapoor) to track Pinky, marry her and get hold of all the money.

But first, Prem visits the journalist Sinha’s house and kills him in revenge. Pinky happens to witness the murder and runs away. Thus begins a long chain of chase sequences. Prem and his goons as well as the two detectives are chasing Pinky, ironically for the same reason – money!

After a lot of silliness including a visit to a fake currency unit deep in the jungle, Dharamchand and Karamchand mange to catch Pinky and take her to Nihal Chand’s house. Hema explains what has happened and things get cleared. Pinky calls them her brothers and they both promise to save her from Prem and ensure her safety.

Pinky is asked to stay with one of their friends, a fisherman called John uncle for a few days. Pinky is happy and sings a duet with Ashok.

But Prem is hot in pursuit. He visits Pinky’s house and later kidnaps her mother leading to the climax.

The Music

Ravindra Jain has composed the songs but its definitely not one of his best scores. The title song Do jasoos kare mehsoos is popular. Another song, apparently inspired is the melodious duet sung by Lata Mangeshkar and Shailendra Singh – Dariyacha raja deva re devapurvaiya leke chali meri naiyya.

My Thoughts

Do Jasoos could have been an entertaining movie but things don’t work out. Rajendra Kumar and Raj Kapoor are past their prime and don’t make the proceedings interesting. Raj Kapoor maintains his image of a simple person and do gooder who doesn’t understand the practical aspects of his profession, especially money matters. Whereas Rajendra Kumar is shown as the one more practical. Nevertheless, there a few scenes where Raj Kapoor makes you laugh with his reactions. Wondering if another duo like Ashok Kumar and Pran would have made the roles memorable and funnier.

The rest of the cast don’t add much value. This is Shailendra Singh’s debut movie as actor after his blockbuster singing debut in Bobby. But he doesn’t get much to do. Bhavna Bhatt is a teenager and appears too raw for the role. The baddies Prem Chopra, Kamal Kapoor and Ram Mohan seem more impactful. The plot is complicated with unnecessary sub plots. Overall, Do Jasoos fails to leave the mark as a fun film.

The movie left me with 2 questions. Where can we find the below police station?

Why does a fisherman’s house have these stack of brass pots..?

Qatl (1986)

Cheating or adultery in marriage has been an old theme in Hindi movies. Qatl is another movie in the same genre, directed by R.K. Nayyar. The movie is a tribute to Sanjeev Kumar who passed away before the movie’s release. He plays the blind protagonist effectively and raises the plot’s believability by a few notches. Presenting the review and remembering this great actor whose birthday falls on 9 July.


The Plot

Rakesh (Sanjeev Kumar), Rohini (Sarika) and Ranjit (Marc Zuber) are the principal characters, forming the pati, patni aur woh trio. Rohini is a poor girl who happens to meet Ranjit in a departmental store. She is about to be caught for shoplifting but Ranjit saves her (impressed by her beauty). He offers her a chance to become a drama heroine but she lacks the necessary acting skills. By chance, superstar Rakesh sees her and decides to train her to succeed as an actress.

The training starts and Rohini becomes a successful actress. Along the way, Rakesh and Rohini fall in love and get married. But their joy is short lived as Rakesh loses his eyesight while trying to save Rohini from a falling chandelier. Rohini as the dedicated better half quits the theater to take care of Rakesh.

Rakesh realises he is doing an injustice to Rohini’s talent and asks her to resume acting. She reluctantly agrees. She appoints a nurse Sita (Ranjeeta) to take care of Rakesh when she is away. Sita is the same nurse who was treating Rakesh in the hospital and he is happy to have a familiar companion for support.

They get on well and Rakesh becomes fairly independent to manage things without relying on others for support. And his “sixth” sense improves. But things are not as they seem. Through a coincidence, Rakesh becomes aware of Rohini’s affair with Ranjit and he is shattered.

The sad reality is revealed to him on Rohini’s birthday and he starts planning his revenge to teach both of them a lesson.

Rakesh’s anger is uncontrollable and he plans to murder Rohini and make Ranjit the prime suspect. No one will believe Rakesh is the murderer as he is blind. Is it possible for a blind man to plot a murder, travel alone and kill someone? Nah!

Well, Rakesh commits the murder (dressed as a Pathan) in Ranjit’s flat with Ranjit’s revolver. Ranjit is arrested. Enter Inspector Shatru (Shatrughan Sinha) who plays a bumbling police officer but with a knack of solving difficult cases. Shatru realises it has to be Rakesh who killed Rohini. And Sita seems to be involved somehow. What happens next is interesting to watch. The plot takes more twists and turns when Sita confesses the murder leading to the all important court scene. Saeed Jaffrey plays the judge.

Does Sita get convicted? Will Rakesh own up the murder? And does Ranjit walk away as a free man? The answers are revealed in a nail biting climax with a final twist!

The Music

Laxmikant Pyarelal have composed the music. The songs are not bad but don’t add to the story. The exception is the philosophical Kisi Ka Dil Jo Todega, sung by Anup Jalota and picturised on a roadside fakir (Ashok Kumar credited as Dada Muni in the titles!) The song appears in parts throughout the movie.

My Thoughts

Qatl is a well presented and directed movie and different from the regular fare. There are loopholes and too many coincidences to digest. But Sanjeev Kumar saves the day. While the blind man committing a murder may not sound very convincing, he manages to make it believable. Of special mention is the murder scene and climax. We get to see scenes from Naya Din Naya Raat, in flashback where a blind Rakesh is remembering the roles immortalised by him. Sarika, Marc Zuber and Ranjeeta are effective in their roles. Ameen Sayani appears in a short cameo.

Shatrughan Sinha manages to be funny without being too irritating. But I wonder if a serious inspector character would have made the investigation more impactful as he gets closer to the murderer.

While not a classic, Qatl manages to keep the viewer engaged till the end and Sanjeev Kumar leaves a lasting impression.

“Parting” Romantic Songs

Parting or separation is another common theme in movies. Parting between parents and children, siblings, friends and lovers are often shown on screen. Many a times, the parting is filled with sorrow. And the cycle is complete when a reunion occurs later or towards the end of the movie. Today’s post is not about sorrowful parting. Rather a romantic happy separation. The romantic couple has spent some hours (or moments?) together. Parting is imminent but not something they look forward to. Presenting 10 songs covering this temporary happy separation.

1) Song: Din Saara Guzaara
Film: Junglee (1961)
Credits: Hasrat Jaipuri | Shankar Jaikishan | Mohammed Rafi & Lata Mangeshkar

Shammi Kapoor and Saira Banu romancing in Kashmir. This is their last meeting for some time as he will be leaving Kashmir to go back home. A visually pleasing song capturing the beauty of the location and the lead pair.

Ye chanchal ye haseen raat, haay kaash aaj na aati,
Har din ke baad raat hai, ek din to thhahar jaati
, Koi hum se bichhad ke na jaata, jeeene ka maza aaa jaata,
Mere yaar shabba khair, mere yaar shabba khair


2) Song: Abhi Na Jaao Chhodkar
Film: Hum Dono (1961)
Credits: Sahir | Jaidev | Mohammed Rafi & Asha Bhosle

One of the most memorable songs in this genre. Dev Anand is requesting Sadhana to not leave him so early but she knows him well and is not in the mood to agree. There is a long scene without dialogues which culminates beautifully into the song. We are also introduced to the signature tune which repeats in Main zindagi ka saath nibhaata chala gaya.


3) Song: Aaj Ki Mulaaqat Bas Itni
Film: Bharosa (1963)
Credits: Rajendra Krishan | Ravi | Mahendra Kapoor & Lata Mangeshkar

Guru Dutt and Asha Parekh as the romantic leads. Its refreshing to watch a happy Guru Dutt. This is a cute nok-jhok filled parting song.

Kabhi kabhi aise bhi aya karo, chaand nikale toh ghar jaaya karo,
Aayenge jaaenge marzi se hum, pyaar hai toh naaz bhi uthhaaya karo,
Achchhi nahin hoti hai zid itni, dekho hamein tumse hain preet kitni,
Aaj ki mulaaqaat bas itni


4) Song: Ab Der Ho Gayi Wallah
Film: Rustom Sohrab (1963)
Credits: Qamar Jalalabadi | Sajjad Hussain | Asha Bhosle

Rustom Sohrab is a costume drama. The song features an unlikely pair of Premnath (as Rustom) and Mumtaz (as Shahroo). Mumtaz is requesting him to let her leave and promises to meet him again.


5) Song: Aji Humse Bachkar Kaha Jaaiyega
Film: Arzoo (1965)
Credits:  Hasrat Jaipuri | Shankar Jaikishan | Mohammed Rafi

A short song and sort of part 2 of Aji rooth kar ab with superb singing. Romantic couple Rajendra Kumar and Sadhana have been spending blissful moments in a shikara. Evening sets in and Sadhana gets ready to leave as he addresses the song to her.

Aji Humse Bachkar Kahan Jaaiyega,
Jahan Jaaiyega Hume Paaiyega

Yeh Kaisa Nasha Hai, Yeh Kaisa Asar Hai
Na Kabu Me Dil Hai, Na Bas Me Nazar Hai
Jara Hosh Aa Le Chale Jaaiyega
Theher Jaaiyega, Theher Jaaiyega


6) Song: Sayonara
Film: Love In Tokyo (1966)
Credits: Hasrat Jaipuri | Shankar Jaikishan | Lata Mangeshkar

This will be one of the first songs that come to mind when we think of this theme. Asha Parekh masquerading as a Japanese lady, speaking in chaste Hindi and Joy Mukherjee falling for her. Evergreen song complemented by the sights of Japan.

Chhod de meri baahon ko, rok na meri raahon ko,
Itni bhi betaabi kya, samjha apni nigaahon ko,
Sayonara sayonara


7) Song: Chale Jana Zara Thehro
Film: Around The World (1967)
Credits: Hasrat Jaipuri | Shankar Jaikishan | Mukesh & Sharda

Good lyrics and tune but an aging Raj Kapoor and much younger Rajshri are hard to digest. And Sharda..well…

Abhi aaye ho baitho toh, yeh mausam bhi suhana hai,
Abhi toh hal-e-dil tumko nigahon se sunana hai,
Nazar pyasi yeh dil pyasa, kisi kaa dum nikalata hai
Yeh manzar dekhakar jaana, chale jaana


8) Song: Dhal Gaya Din
Film: Humjoli (1970)
Credits: Anand Bakshi | Laxmikant Pyarelal | Mohammed Rafi & Asha Bhosle

A unique song set to the rhythm of badminton shots. The leads Jeetendra and Leena Chandawarkar are playing badminton. The sun sets as they continue playing. In between shots, Leena reminds him its time to go home but he insists her on staying, a bit longer.


9) Song: Achcha To Hum Chalte Hain
Film: Aan Milo Sajna (1970)
Credits: Anand Bakshi | Laxmikant Pyarelal | Kishore Kumar & Lata Mangeshkar

Another catchy and evergreen offering. Rajesh Khanna and Asha Parekh parting with a commitment to meet again. A nice give and take song with practical lyrics.

Kisine dekha to nahi tumhein aate, Nahi main aayi hoon chhupte chhupate,
Deir kar di badi, zara dekho to ghadi,
Offo meri to ghadi band hai, Teri yeh adaa mujhe pasand hai,
Dekho baatein waatein karlo jaldi jaldi, Phir na kehna abhi aayi abhi chal di,
To aao paas baithein pal do pal, Aaj nahin kal, kyon kyon! Aaj nahin kal,
Yeh to ek bahana hai, Wapas ghar bhi jaana hai,
Kitni jaldi yeh din dhalte hain. Haaye! Tata
Achcha to hum chalte hain


10) Song: Kal Ki Haseen Mulaaqat Ke Liye
Film: Charas (1976)
Credits: Anand Bakshi | Laxmikant Pyarelal | Kishore Kumar & Lata Mangeshkar

The song occurs in a hotel where Dharmendra and Hema Malini are staying in adjoining rooms. But separating for the night is difficult for both of them. Dharmendra is not in the mood to leave. A lot of convincing and pushing from Hema is needed as they sing the song. A pity the other guests do not complain!