All posts by GGaurav

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About GGaurav

I am passionate about old movies, songs and trivia.

Singapore (1960)

Singapore is a 1960 Hindi movie. It is an Indo Malaya production directed by Shakti Samanta. One of the first movies shot extensively outside India, the story is based totally in Singapore.

The Plot

Shyam (Shammi Kapoor) lives in India and is planning to sell his rubber estate in Singapore. His estate manager Ramesh (Gautam Mukherjee) is working on the details. Ramesh has found out that there is an old treasure hidden somewhere in the estate. He has written multiple times to Shyam but not received a response. He finally manages to speak to him and is about to share the information when he sees someone outside his cabin. The call is cut. Ramesh disappears and Shyam decides to visit Singapore to sort the matter himself.

We are introduced to Shobha (Shashikala) who was Ramesh’s friend and her cousin sister Lata (Padmini). Both are dancers in New India club owned by Lata’s uncle Shivdas (K.N. Singh). Shivdas seems to be a shady character and has an interest in Shyam’s rubber estate and the treasure. Cha Choo (Agha) who is working in Shyam’s Singapore office as secretary becomes his able(!) sidekick in the investigation.

Shyam also meets Maria, played by Malay actress Maria Menado who had sat beside him during the flight and later helps him in Singapore.

The first half is interesting. Shyam, along with Cha Choo hunt for the treasure map, cleverly hidden in a cigarette holder cum Vat 69 bottle by Ramesh. He befriends Lata and gets romantically involved with her. Shivdas arranges a picnic to the rubber estate hoping to find the treasure. But the story takes a twist here with Shivdas getting murdered and Shobha getting abducted by the gang who is after the treasure. It is revealed Ramesh is alive and held hostage by the same gang.

So, who is behind all this? The latter half of the movie gives the answers but not without Hindi movie staples including too many songs, disguises, car chases and a long-winded climax involving helicopters, a ship, boats, police jeeps and the unmasking of the villain.

The Music

Singapore had 8 songs composed by Shankar Jaikishan who were in their prime during this period with lyrics penned by Hasrat Jaipuri & Shailendra. But three of them are more memorable.

The title song by Mukesh is quite famous (Ye shehar bada albela) but somehow lacks the vibes of later songs like Love In Tokyo and An Evening in Paris. This seems a bit subdued in comparison.

Another song that stands out is Lata Mangeshkar singing for Maria Menado. The lyrics can be a catchline for Singapore tourism!!

 Dekho ji dekho sun lo ye baat, jeevan mein ek baar aana Singapore…

Its difficult to believe its Lata Mangeshkar singing, she sounds so different and the music is equally delightful.

And the third song is Rasa Sayang re picturised on Shammi Kapor and Helen, with both actors having lot of fun here. “Rasa Sayang He” is a well known traditional Malay song talking about the feeling of love.

My Thoughts

Shakti Samanta has given some all time great movies and this offering pales a bit in comparison. The film starts on a promising note but somehow falters. There are suspense elements like  the discovery of the map, Shivdas’s body’s disappearing and reappearing, entry of the masked villain. But somehow the plot points don’t add up seamlessly making the movie a tedious watch. The chemistry between Shammi Kapoor and Padmini is strikingly lacking and the romantic songs offer little help. Shammi Kapoor is most entertaining as he gets to be in various modes – romantic hero, investigator, disguised dancer and comedian. Wish the other characters too were used to their full potential.

Nevertheless, Singapore will be remembered for its outside India location and effort. Do watch if you need a glimpse of old, old Singapore!

Parichay (1972)

Parichay (meaning introduction or acquaintance) is a Hindi movie heralded by Gulzar (writer, director, screenplay, lyricist, and the intro voice-over). Heavily inspired from the English classic The Sound of Music (1965), it is nevertheless a good and entertaining movie in its own right.

The Plot

We are introduced to Pran (Rai Saheb), a retired colonel. Rai Saheb is a strict disciplinarian and a principled man and expects others to follow the same line. Rai Saheb’s only son Nilesh (Sanjeev Kumar) had left his house 17 years ago. He was a worthy singer who wanted to pursue music as his life’s passion much to Rai Saheb’s chagrin.


Circumstances force Nilesh to marry his guru’s daughter Sujata (Gita Siddharth). Upon coming home to meet his father, Rai Saheb makes it clear there is no place for him, his wife and their music in his mansion. He is free to take as much money as he wants and settle down in his “own” house.

Being the son of his principled father, Nilesh leaves empty handed and never to return.

The years that follow have been hard on Nilesh and his family. His wife has passed away leaving behind 5 children namely Rama (Jaya Bhaduri) and Ajay, Vijay, Meeta and Sanjay. Nilesh himself is terminally ill.

As a last resort before dying, he writes to Rai Saheb to come and take the children with him. This will help in securing their future. Unfortunately, Nilesh dies before Rai Saheb arrives. After much pleading by Rai Saheb, the children agree and come to stay with him.

The children detest their grandfather and it is their constant endeavour to be non-cooperative. Their top priority is to ensure that none of the “masters” (tutors) employed by their grandfather are successful in their attempt to teach and discipline the children. They will use every trick in the trade to make the master flee from his job (to hilarious consequences). Needless to say, Rai Saheb is fed up with this attitude and has to keep looking for replacements.

We are now introduced to Ravi (Jeetendra), an unemployed man staying with his roommate Amit (Vinod Khanna) in the city. Ravi’s maternal uncle (A.K. Hangal) writes to him informing him of the teaching job vacancy at Rai Saheb’s mansion. Seeing no option, Ravi agrees to try his luck at this opportunity (he has had some experience in teaching previously).
After he arrives at his uncle’s place, his mamiji (Leela Mishra) warns him the children are “rakshas” and “yamdoot” and it’s better for him to decline the opportunity. Such is the widespread notoriety of the children!

After a tense “interview” scene with Rai Saheb, Ravi gets the job. However, he is soon introduced to his students’ pranks who will spare no effort to make his life hell and force him to run away. But Ravi is a tough nut to crack and handles each situation calmly.
Other characters in the mansion are Rai Saheb’s sister Sati (Veena) and an old servant Narayan (Asrani).

Through Rai Saheb and Narayan, Ravi comes to know the background of Rai Saheb’s relationship with Nilesh and the negative impact it has had on the children. It is upon Ravi to attempt bridging the emotional gap, making it a win-win situation for all the parties. Will he succeed?

The Music

There aren’t many songs but Gulzar and R.D. Burman deliver a memorable score. The sentimental Musafir hoon yaaron sets the tone for the unemployed Ravi seeking an unknown path.
Then there is Beeti na beetai raina, ably sung by Lata Mangeshkar and Bhupinder. Lata Mangeshkar won her first National award for this song.
Bhupinder also gets to sing a short version of Mitwa bole meethe bain.
And finally, a tribute to Do re me from The Sound Of Music – the chirpy Sa re ke sa re, Gulzar’s playful lyrics describing the 7 musical notes.

My Thoughts

There are multiple conflict scenarios in the movie. The first being Rai Saheb and Nilesh. Unfortunately, this conflict ends on a sour note.
The second one is between the grandfather and the children. And the third between Ravi and the children. It’s Ravi’s deft handling and effort that endears him to the children and Rama (romantically, this being a Hindi movie!). And in parallel helps to open a dialogue between Rai Saheb and the children. The gradual transition doesn’t seem forced and Gulzar achieves it convincingly.

Jeetendra is adequate. Jaya Bhaduri is impactful as she plays multiple roles as the daughter of a wronged father, her protectiveness for her siblings and perceptions concerning her grandfather.
Pran shines and he is at his villainous best in some scenes and the misunderstood patriarch and grandfather in others. Sanjeev Kumar is memorable in a special appearance but shows why he went on to have a long association with Gulzar. The supporting cast are equally good.

On a funny note, the movie seems to be shot in and around Panchgani and Mahabaleshwar hill stations in Maharashtra and none of them are connected by railway. However we get to see a railway station in the film’s climax. So much for cinematic liberties! So entertaining!

Meena Kumari – Happy Songs

Meena Kumari (real name Mahjabeen Bano), popularly known as the “tragedy queen” of Hindi cinema was undoubtedly one of our finest actresses. Right from Baiju Bawra, Parineeta, to all the way Pakeezah, she will always be remembered for her effortless acting and screen presence.

31st March is the remembrance day of this great actress.
In my first blog post, presenting Meena Kumari in a cheerful mood in 10 songs!
Hope you enjoy and do let me know your thoughts.


1) Song: Meri jaan meri jaan
Film: Yahudi (1958)
Credits: Shailendra | Shankar Jaikishan | Lata Mangeshkar

Meena Kumari in a romantic mood. Admitting she is in love with Marcus (Dilip Kumar), she croons –

Inki nigaaho ne ghaayal kiya, lenge unhin se dil ki dawaa,
Na hum muskurate na woh paas aate,
Usiki mili hai sazaa, kya karen,
Meri jaan meri jaan…


2) Song: Dil mein baji pyar ki shehanaiyaan
Film: Kohinoor (1960)
Credits: Shakeel Badayuni | Naushad | Lata Mangeshkar

Overall, a light hearted film, Kohinoor reunited the pair of Meena Kumari and Dilip Kumar. The Senapati (Jeevan) is holding Meena Kumari (Chandramukhi) captive. Her lover has come to meet her in disguise. She recognizes him and breaks into song.

Door hua gham ka nasha, mujhko khushi mil gayi
Jhum uthi duniya meri, dil ki kali khil gayi
Dil mera lene laga angadaiyaan, angadaiyaan,
Aa gaye woh, aa gaye woh mit gayi tanhaiyaan
Dil me baje pyar ki shehanaiyaan


3) Song: Lau lagaati geet gaati
Film: Bhabhi Ki Chudiyaan (1960)
Credits: Pt Narendra Sharma | Sudhir Phadke | Lata Mangeshkar

Remake of a Marathi movie, it had Meena Kumari playing the bhabhi’s role. This song shows the contentment of her character. She is happy with her family and thanking the lord, what else can she wish for! Of course, being a Hindi film, a twist (read hardships and lots of tears) may be around the corner.

Nayano ki kamana, prano ki bhavna,
Puja ki jyoti bankar charno me muskurati,
Lau lagaati, geet gaati


4)Song: Piya aiso jeeya mein
Film: Sahib Bibi aur Ghulam (1962)
Credits: Shakeel Badayuni | Hemant Kumar | Geeta Dutt

This song is perhaps one of the rare happy moments in an otherwise dark movie and wretched life of the chhoti bahu character. She is eagerly getting ready to welcome her husband. She is hoping her mohini sindoor will work its perceived wonders and bring joy into her wretched married life.

Meena Kumari won her third FilmFare award for this performance. (Trivia shot: Interestingly she was the only actress in the best actress nominees for the FilmFare awards that year. She was also nominated for Aarti and Main Chup Rahungi, and emerged as winner for Sahib Bibi aur Ghulam.)

Piya aiso jiya men samaay gayo re,
Ki main tan man ki sudh-budh gawaan baithhi,
Har ahat pe samajhi wo ay gayo re,
Jhat ghunghat men mukhada chhupa baithhi


5) Song: Nagma-O-Sher ki saugat kise pesh karu
Film: Gazal (1964)
Credits: Sahir Ludhianvi | Madan Mohan | Lata Mangeshkar

A Muslim social film. Meena Kumari is presenting a gazal in the company of friends. A passerby (Sunil Dutt) happens to hear her signing and needless to say, is mesmerized. This song has another version in the second half of the movie. Sung by Mohammed Rafi (Rang aur noor ki baraat kise pesh karu), the lyrics, tune and background are contrasting and arguably more effective (!).

Koi humraaz to paaun, koi humdum to mile,
Dil ki dhadkan ke ishaaraat kise pesh karu


6) Song: Ae Ri Jaane Na Doongi
Film: Chitralekha (1964)
Credits: Sahir Ludhianvi | Roshan | Lata Mangeshkar

Chitralekha was the story of the protagonist raaj nartaki played by Meena Kumari. She is spending time with her beloved Samant Beejgupta (Pradeep Kumar), singing for him and enjoying the blissful moments.

Ae ri jaane na doongi,
Main to apane rasik ko nainon mein rakh lungi palaken mund mund,
Ae ri jaane na doongi


7) Song: Dil jo na keh saka
Film: Bheegi Raat (1965)
Credits: Sahir Ludhianvi | Roshan | Lata Mangeshkar

Same pairing as the previous song. Bheegi Raat had a typical story of the 2 leads separating due to differences and misunderstanding. While the Mohammed Rafi version of this song is more popular, the female version has a softer and romantic tone.

We have that often repeated filmy plot here – hero and heroine get caught in a rainstorm, take shelter in a cave. Needless to say, a fire of passion ignites and we are treated to a beautiful melody.

Nagma sa koi jaag uthha badan mein,
Jhanakaar ki si tharathari hai tan mein,
Pyaar ki inhin dhadakati fizaaon mein,
Rahane ki raat aayi…


8) Song: Mere bhaiya mere chanda
Film: Kaajal (1965)
Credits: Sahir Ludhianvi | Ravi | Asha Bhosle

Meena Kumari won the last of her 4 Filmfare Awards for Kaajal. This song showcases the lovely bond between the heroine and her brother. Its Raksha Bandhan and she is waiting for her brother to return victorious from the boat race he is participating in. Happier times before a tragedy is waiting to overtake their lives!


9) Song: Allah Allah kitne pyaare din aa gaye
Film: Noorjehan (1967)
Credits: Shakeel Badayuni | Roshan | Suman Kalyanpur

Noorjehan was a period film with Meena Kumari starring as Empress Noorjehan (formerly Mehrunnisa). The song portrays the arrival of youth in Mehrunnisa’s life – painful yet soothing!

Aayi baad-e-bahaare leke dard-e-jawaani,
Allah allah kitane pyaare din aa gaye


10) Song: Mausam hai aashiqana
Film: Paakezah (1972)
Credits: Kamal Amrohi | Ghulam Mohammed | Lata Mangeshkar

The swansong of an illustrious career. In an otherwise sorrowful movie, the film’s protaganist Sahibjaan is waiting for her “first love”, her “saviour” to return soon. Poetically, she is pleading her lonely heart to ensure he comes back safe & sound.

Kehna ke rut jawaan hai, aur ham taras rahe hain,
Kaali ghata ke saaye, birahan ko das rahe hain,
Dar hai na maar daale, saawan ka kya thhikaana