Category Archives: My Reviews

Fatakdi (1980)

My Reviews, ,

Women filmmakers are a rarity in cinema. More so in regional cinema. In Marathi, Sushma Shiromanee stood out when she successfully produced a few films and cracked that elusive formula of delivering a hit film. She also directed one Hindi and 2 Marathi films.

Fatakdi is an out and out masala film. It uses time tested elements like lost and found, revenge, romance, comedy, not to forget hit songs and special appearances by Hindi stars including Rekha to catch the audience’s attention. There is never a dull moment. The film is directed by Datta Keshav.

The Plot

The plot is predictable. The film starts with a court hearing concerning a land dispute between Narayan (Dr. Shreeram Lagoo) and Damu Sawkar (Nilu Phule). Damu Sawkar is accused of forcibly grabbing the land. Both parties present their claims in this regard. The judge rules in Narayan’s favour. An overjoyed Narayan goes to the local temple to seek the diety’s blessings. There he meets Damu Sawkar with his henchmen including Viju Khote. Damu Sawkar can’t accept the verdict which he treats as his insult. He considers himself the ruler of the village and things need to happen as per his will.

Narayan arrives home to share the good news with his wife Laxmi (Usha Kiran). Laxmi is desperately awaiting his return. They have 2 children. The son is Shirpa and daughter Indi. Laxmi is relieved to hear the news. They start cultivating the land and are blessed with a good crop.

The couple sing a duet Dharni aaichi maya while sharing this blissful moment. Also, Diwali is around the corner, and Narayan celebrates it with full force that year. On the other hand, Damu Sawkar is still licking his wounds and unable to enjoy the festive period. He is hoping to teach Narayan a lesson soon.

Out of frustration, Damu Swakar tries to damage the standing crop in Narayan’s field. But Narayan intervenes and asks him to leave.

As this is a lost and found drama, there has to be a subplot involving a birth mark or tattoo for easy identification. In this case it is a tattoo on Indi’s arm. Point to be noted!

Back to the story. A major tragedy awaits the happy family. Events happen in quick succession. Damu Sawkar goes after Narayan and forcefully tries to get the land documents signed and transferred in his favour. When Narayan refuses, he tortures him and eventually kills him. Shirpa tries to intervene and manages to kill Viju Khote with an axe. The mother Laxmi takes the blame on herself and is arrested by the police. She asks Shirpa to run away. The boy loiters in the mountains where he is captured by some dacoits. The sardar of the dacoits adopts him and names him Ranu Singh.

And what about Indi, the daughter? The poor girl is left alone wandering when she meets a childless couple engaged in the Kadaklaxmi tradition. They decide to take her with them. They will return her if the parents are traced and come looking for her. Of course, this doesn’t happen and she is brought up like their daughter.

So Indi grows up as a Kadaklaxmi performer. She sings, dances, whips herself and earns money for her family. She is now called Fatakdi (Sushma Shiromanee) and lives up to her name which means firecracker. 🧨

She gives her introduction through the song…Aali Fatakdi.

Other characters have grown up too. Her brother Shirpa / Ranu is a successful dacoit (played by Yeshwant Dutt). He is the new sardar after his foster father passes away.

Damu Sawkar’s son is Ramesh Deo. He is as spoilt as he can be. He has his eyes on Fatakdi but she knows how to keep him at bay. Pratap is getting married soon. The dacoits crash the marriage celebrations. Fearless Fatakdi tries to challenge them single handedly. She comes face to face with Ranu alias Shirpa. She doesn’t know he is her brother and vice versa. He praises her courage and leaves.

A random character called Bawlya (Ashok Saraf) is introduced suddenly. He behaves like an idiot and wants to be romantically involved with Fatakdi.

In between we see some masala elements popping up. There is a Ganpati celebration song (Ganpatichya mhora saare naachu gaauya) featuring Bhagwan and Kaajal Kiran in special appearances. And later, a lavani performance by Rekha!

Laxmi is released from jail early on account of good conduct. She goes to the village. She knows she has lost her husband and children. When she visits her farmland, she blurts out it is her land. Damu Sawkar and Pratap hear this and try to shoo her off. Laxmi and Damu Sawkar recognize each other. Damu Sawkar tells her that he is the rightful owner of the land and has the documents to prove it. Laxmi refuses to accept this.

Pratap pulls and pushes Laxmi and attempts to throw her out. Fatakdi steps in and saves Laxmi. She insults Pratap and takes Laxmi to her house for a meal. Fatakdi’s foster mother (played by Leela Gandhi) shouts at her for bringing strangers to the house and feeding them. A helpless Laxmi leaves quietly and settles in the temple.

Laxmi and Fatakdi meet again. They can feel the unknown connection between them. Laxmi tells her about Damu Sawkar and the document he claims to have in his possession. Fatakdi promises to serach for it. For this, she goes to Damu Sawkar’s house. She cooks up a story to convince the father and son that she is on their side. She is successful and is employed as a servant under the supervision of Pratap’s wife (played by Maya Jadhav).

One day, Damu Sawkar and Pratap’s wife leave to attend a wedding. Pratap is alone and waiting for this opportunity. He tries to molest Fatakdi but Ranu the dacoit arrives suddenly. He remembers Damu Sawkar very well and has been itching to seek revenge for his father’s murder all these years. He shoots Pratap. At the same time, the police arrive. The police inspector is none other than Bawlya. He was behaving like a simpleton but was actually on the lookout for the dacoits.

There are more songs as the story moves towards the climax…Herla ga herla ga and Aai mazi devi mazhi.

What will happen next? Will the family connections be revealed? Will Ranu be arrested by the police? And what about Damu Sawkar? Will justice prevail?

The Music

The music did well. Jagdish Khebudkar (lyricist) and Bal Palsule (music director) team up for some hit numbers. Mahendra Kapoor and Asha Bhosle lend their voices. The evergreen song is undoubtedly Kutha kutha jayache honeymoonla featuring Rekha.

My Thoughts

Sushma Shiromanee is the gutsy producer as well as the lead actress. She performs the role of Fatakdi in full spirit and is a complete package. The production values are good. She shrewdly casts many well known names like Shreeram Lagoo, Nilu Phule, Usha Kiran, Ramesh Deo, Yeshwant Dutt and Ashok Saraf who perform on expected lines. The appearance of the Hindi stars is a good strategy and adds that extra flavour. Overall, Fatakdi is an entertaining film and credit to Sushma Shiromanee for her efforts.

Ek Dil Sao Afsane (1963)

My Reviews,

I would term some movies as deceptive. The packaging is good but the product is not. That is the case with Ek Dil Sao Afsane (EDSA). When you see Raj Kapoor, Waheeda Rehman and Lalita Pawar’s names in the acting department, and Shankar Jaikishan as the music directors, your expectations increase. EDSA is a decent film but could have been better. Today. the film is remembered only for some of its songs if not more.

The Plot

EDSA is the story of 2 lovers. Shekhar (Raj Kapoor) is an eligible bachelor. He is also very rich. His naani (maternal grandmother) played by Lalita Pawar dotes on him. Apparently,  his parents have passed away and naani is his only close relation. Naani has one mission in life. Shekhar has to marry and “produce” a son at the earliest. The family needs to have a male heir. For this, she insists on matching the horoscope of every prospective bride with that of Shekhar’s. If there is no possibility of a son’s arrival, the proposal is immediately rejected.

Shekhar doesn’t seem to do anything apart from attending parties and enjoying his bachelor status. He sings Mast nazar dekh idhar in a party. The party is full of women looking for eligible bachelors for their daughters. Seems the market is quite competitive. They approach Shekhar with a list of all that they will offer him as dowry. Shekhar informs them about his Naani’s precondition for marriage. The girl needs to deliver a male child else the marriage is off!

After the party, he goes with one of the girls in her car. While reversing, the car hits a girl riding a bicycle. This is Sunita (Waheeda Rehman). She is a salesgirl who works for Navbahar Cosmetics. The girl insults Sunita who slaps her in return. Shekhar is super impressed by the salesgirl – he has found his match. He tries to flirt with her but she shoos him off and leaves.

Shekhar and Sunita meet again on a train journey. Sunita is going for her friend Neelu’s wedding. Shekhar boards the same train compartment. He is surprised to see her and makes some poetic talk about separation and uniting. She responds to him sarcastically.

Upon reaching home, his Naani tells him he has to get married soon and gift her a toy – i.e. his son. There is no dearth of proposals and she is consulting astrologers to match the horoscopes and move ahead. Shekhar’s aunt (mausi) Sulochana (Sulochana Chatterjee) comes to visit them. Her daughter Neelu (Uma) is getting married. Shekhar and Neelu are very close and he gets heavily involved in the marriage activities.

He is surprised to find Sunita attending the marriage. He tries to impress her with his irritating (but endearing(?)) antics. During the sangeet, she performs a dance as he sings Sunoji suno hamari bhi suno. Later, Shekhar has a direct talk with Sunita about their marriage. She has started liking him too and they agree to get married. Its time for a dreamy romantic song O jaadugar pyar ke ye bata.

The only hurdle is Naani and her precondition for marriage. Naani meets Sunita. Sunita tells her she is an orphan. Naani is ready to accept her wholeheartedly. But she is in for a shock. The astrologer informs her that the couple will never be able to bear a child. Naani is appalled and tells Shekhar that he cannot marry Sunita. Shekhar pleads with her but she does not agree. He rebels against her and goes to meet Sunita.

Sunita sings the title song. They get married and settle down happily in his friend’s house, who has 4 children. Shekhar sings a romantic song Kuchh Sher Sunata Hoon Main. With no access to naani’s money, the couple is finding it hard to make ends meet.

By coincidence, Shekhar and Sunita get a job in the same law firm. Happily, they sing a romantic duet Tum hi tum ho. Sunita’s boss is Jagdish Raj, who falls for when she lies that she is not married.

Back home, Naani is not keeping well. She has no plan to reconcile with Shekhar and has decided to donate all her property and head for Kashi. She sends a family friend cum well wisher Chintamani to Mumbai to get her will prepared. As expected it is the same law firm where Shekhar is working. Shekhar brings Chintamani to his house. He sees Sunita holding a child. This is the son of Shekhar’s friend. Chintamani wrongly assumes this is Shekhar’s son and informs the same to Naani upon his return. Naani is overjoyed to hear the news. She rushes to Mumbai to see her great grandson. She also decides to make a new will with Shekhar as the beneficiary.

Naani arrives as planned. Shekhar continues with the deception and presents his friend’s baby as his own. His mind is on the money he will be entitled to.

Coincidentally, Shekhar’s friend has been transferred to New Delhi. He is leaving for New Delhi on the same day with his family. Shekhar is in a dilemma. He arranges for a “baby on rent” and brings the baby to his house. The baby’s mother also comes with him pretending to be a servant.

The drama, deception and confusion continues. Naani extends her stay unexpectedly. The baby’s mother makes extreme demands for keeping her mouth shut. Sunita begs Shekhar to tell Naani the truth. Will Shekhar agree? Will Naani figure out the truth? All is sorted with a twist in the climax.

The Music

Shankar Jaikishan deliver some nice tunes. Sunoji suno and the title song is famous. The surprise song is Tum hi tum ho as it has Rafi singing for Raj Kapoor when Mukesh had become his regular voice. Overall, the music is not that memorable when compared with other offerings from Shankar Jaikishan.

My Thoughts

Raj Kapoor and Waheeda Rehman are great actors, sadly their chemistry is not very effective in this film. Lalita Pawar appears in a predictable role. The film appears to be a comedy but falters in between. The hero’s character only cares about money and goes all out to deceive his grandmother. The heroine doesn’t have much of a say. The solution offered in the climax is not convincing. Overall, the high expectations are unfortunately not fulfilled.

1942: A Love Story (1994)

My Reviews,

Happy New Year! This is the first post of 2026 and it is dedicated to R.D. Burman, who passed away on 04 January 1994. 1942: A Love Story was one of his last films as a composer.

R D was passing through the worst phase of his career by the late 80s and was not a sought after composer during that period. But the producer and director Vidhu Vinod Chopra insisted on his name for the music of 1942. The decision was justified. R. D. delivered one of the best scores of his distinguished career. Unfortunately, he passed away before the film’s release and was unable to bask in the success of his efforts. He won the Filmfare Award for Best Music Director in spite of tough competition from films like Mohra, Main Khiladi Tu Anari and Hum Aapke Hain Kaun.

As a film, 1942 is an audio and visual treat. Binod Pradhan’s cinematography was widely appreciated. Sanjay Leela Bhansali is credited as the song director and leaves a lasting impact. The sets by Nitin Desai are impressive.

The Plot

As its name implies, the plot is set in 1942 when the Quit India movement was launched against the British with the famous “Do or Die” (karenge ya marenge) slogan. There are 2 parallel tracks in the movie. One of the freedom movement and one of romance.

In the very first scene, Anil Kapoor’s character is being led to the scaffold. Apparently,  he has been supporting the krantikaris (revolutionaries or freedom fighters) and is set to be hanged for this crime. The flashback begins.

Raghuvir Pathak (Anupam Kher) is a krantikari. He is talking to his colleagues Ashutosh (Ashish Vidyarthi) and Raj Singh (Kamal Chopra). Ashutosh is reading the newspaper describing the atrocities performed by General Douglas (Brian Glover). Douglas is a savage character. Its normal for him to hang or kill a revolutionary as per his will. Ashutosh is itching to teach him a lesson. The news report mentions that Douglas is being promoted and he will be leaving for England on the 25th. Before that, he will be attending a farewell parade in Kasauni from his regiment on the 22nd.

Raghuvir realises this can be an opportunity to assassinate Douglas. His associates Govind (Pramod Moutho) and Abid Ali Baig (Pran) live in Kasauni and will help in this cause. Such an opportunity cannot be missed. Ashutosh volunteers to kill Douglas but Pathak stops him. He has identified Shubhankar for the job. Ashutosh is to start for Kasauni and help with the preparations. Pathak will also go to Kasauni posing as a TB patient undergoing treatment and oversee the planning which includes building of the bomb that will kill Douglas.

The scene shifts to Kasauni. Preparations are in full swing to welcome General Douglas and so are the protests by the opposition. Diwan Hari Singh (Manohar Singh) is a respected and wealthy man sympathetic to the British Government and totally against the Indian freedom movement. He is desperately trying for the Rai Bahadur title which has been his lifelong ambition. His wife is Gayatri Singh (Sushma Seth). They have a son Naren Singh (Anil Kapoor). Diwan Hari Singh is fed up with all the talk about the Quit India movement. The Commanding Officer Major Bisht (Danny Denzongpa) assures him that no revolutionary can enter Kasauni as long as he is the CO.

In the very next scene, Raghuvir Pathak arrives in Kasauni with his daughter Rajeshwari (Manisha Koirala) in a bus. The driver is Raj Singh. The bus enters the town square where a group of people have gathered to protest against General Douglas’s visit. Major Bisht notices the Indian revolutionary flag on the bus and orders his men to remove it immediately. The crowd starts protesting and the British soldiers start beating them to crush the protest.

Naren is sitting in his car nearby with his driver Manohar/Munna (Raghubir Yadav). Naren notices a boy picking up the fallen flag and getting attacked by the soldiers. Naren rushes to rescue the boy. Someone throws a stone on the soldiers which hits the bus and breaks the window. Rajeshwari’s face appears at the window and she finds Naren staring at her. A very poetic scene. For Naren, this is love at first sight. The face disappears and Munna pulls Naren inside the car. Naren finds his father Diwan Hari Singh sitting there. His father has witnessed his “rescue” act and scolds him for getting involved with the protestors. They head towards their house called Kasauni Palace.

Diwan Hari Singh tells his wife Gayatri about the incident involving Naren and the boy. Gayatri rushes outside to check if Naren is fine but sees him leaving on his horse. Naren goes back to the bus stand to look for the girl. The driver tells him she has already left. But she has dropped her earring in the bus. Naren takes the earring and shares what has happened with Munna. They behave like close friends rather than master and servant. Naren can’t get Rajeshwari out of his mind. Its time for one of the best songs of the movie Ek ladki ko dekha to aisa laga.

Next morning, Naren goes to Munna’s house. Their mission for the day is to find the girl in the bus on priority. By coincidence, Naren sees the girl on a swing in the neighbouring house. This is the house of Govind, who works for Hari Singh. He doesn’t know yet but Rajeshwari is staying in Govind’s house where her father Raghuvir is secretly working on the assassination of Douglas.

So, Naren finally meets Rajeshwari. For the next hour, we see him wooing her and they get closer, assisted by some lovely songs. There is the teasing song Rooth na jaana. Rajeshwari’s realisation of love is reflected in Pyar hua chupke se. This is followed by a rainy duet Rimjhim rimjhim and the evergreen Kuch na kaho. Some more characters are introduced like Major Bisht’s daughter Chanda (Chandni) who fancies Naren.

Naren and Chanda are acting in a play Romeo and Juliet, which will be performed in front of Douglas. (Interestingly, it is in Hindi and Douglas doesn’t understand a word of that language!). Rajeshwari joins the play rehearsals as a prompter. Naren is more than happy to have her close by.

Raghuvir and his team are planning to kill Douglas by throwing a bomb at him when he is sitting in the audience watching the play. Baig is supplying the raw materials for the bomb to Raghuvir. Then Shubhankar will execute the task.

The first 90 minutes are spent on the romantic track and the assassination planning. Interestingly, Major Bisht and the police are aware that something is being planned against Douglas. How they know about it is not revealed properly. They track Ashutosh and shoot him. Ashutosh manages to reach Raghuvir’s (i.e. Govind’s house) before he dies. The police come searching and Raghuvir and Rajeshwari act swiftly and bury the body before their involvement is discovered.

Rajeshwari shares her father’s background with Naren. But Naren is only concerned about his love life. He tells his mother about Rajeshwari and his intention to marry her. She is supportive and gives him “sindoor” and asks him to go ahead. He rushes to meet Raghuvir and Rajeshwari and make it official. But his pro British father Diwan Hari Singh calls the police to inform them about Raghuvir. Raghuvir is the traitor they are looking for.

The police rush to arrest Raghuvir immediately. The police and Naren arrive at almost the same time. Raghuvir and Rajeshwari feel that Naren has betrayed them by bringing the police with him. Raghuvir asks Rajeshwari to flee and hide in the mountains.

Raghuvir goes to his room, ready to detonate the bomb before the police can arrest him. The bomb explodes killing Raghuvir and some policemen. Rajeshwari witnesses the blast from her hiding place and rushes towards the house but a man stops her. This is Shubhankar (Jackie Shroff), the man assigned to kill Douglas. He comforts her and asks her to remain strong to face the situation. Apparently, he loves her but hasn’t told her about it.

Shubhankar and Rajeshwari hide in the forest as he plans the next steps. It is assumed that both father and daughter died in the blast. Naren refuses to believe that Rajeshwari is no more. He has an altercation with his father and leaves the house. He searches for Rajeshwari and finds she is alive. Baig seems to be involved in hiding and protecting her. Baig accuses Naren of being just like his father and siding with the British. Naren does his best to convince them of his innocence. He is ready to go against his father and help in making the mission successful.

But is it so easy? General Douglas arrives in Kasauni and unleashes his cruelty. After a series of events including the deaths of some key characters, Naren is accused by the British of helping the revolutionaries. Douglas orders his execution by hanging in public. Diwan Hari Singh is torn to choose between his son and the British but is not ready to bend before his son. (Incidentally, he has finally received the Rai Bahadur title (his life’s achievement) by staying loyal to the British.) He pleads with Naren to tell the names of the real culprits and he can go free. Naren retorts that he only knows one traitor and that is Diwan Hari Singh.

Will Naren be executed? What happens to Douglas? And what is Rajeshwari’s future? What is Shubhankar’s role? The questions are answered in the long climax.

The Music

The music is easily the best thing about 1942. R. D. Burman shows his class. Javed Akhtar has penned the songs. It sounds different from the music prevalent in the 90s era. Rarely do you see a combination of great lyrics, music and a satisfying picturization. Ek ladki ko dekha which does not follow the standard pattern of a song (mukhada and antara) and is more of a free flowing poetry. Javed Akhtar won his first Filmfare award for best lyricist. And Kumar Sanu won the Best Playback (Male) award for the same song. Kavita Krishnamurthy won her first Filmfare award for Best Playback (Female) for Pyar hua chupke se. Kuch Na Kaho appears twice in the film. Kumar Sanu had sung the male version while Kavita K the female. But the female version was later recorded in Lata Mangeshkar’s voice, which was retained in the movie. Rooth na jaana carries the flavour of the 1950s and 60s songs with a distinct Bengali touch. Rimjhim rimjhim is easily one of the best rain duets. One song Yeh safar bahut hai kathin magar, picturised on Jackie Shroff is sung by Shivaji Chattopadhyay.

My Thoughts

1942 is a “good looking” film. Binod Pradhan’s cinematography captures the beauty of Dalhousie and other locations making the scenes look like a painting. Add to it the good looking actors! The directorial treatment is poetic which works well in the romantic track. The  evergreen music and poetry enrich the film. Sanjay Leela Bhansali is credited as the song director and makes his presence felt. Nitin Desai was the art director (this was only his second film). The sets of the movie were appreciated and brought him recognition.

But the story and its treatment falters. The film is slow and nothing worthwhile happens for a long time. In one scene, Raghuvir Pathak talks about letting the whole of Kasauni know that he has arrived in the town. Isn’t that a foolish step if he is on a secret mission? Why advertise your presence unnecessarily? What could have been a gripping track involving the freedom movement turns out to be disappointing until the character of Shubhankar arrives.

The romantic track works well. Anil Kapoor and Manisha Koirala are convincing. Anil Kapoor is good in the romantic scenes and later as the angry young man who defies his father and supports the freedom fighters in their mission. Jackie Shroff’s dashing entry finally brings some spunk and liveliness to the plot. His presence makes it worth watching. He won the Filmfare award for Best Supporting Actor. Other actors like Anupam Kher, Danny Denzongpa and Pran are fine in their limited roles.

Overall, 1942 is one of those films which did not perform well at the box office but is fondly remembered today, the main reason being its timeless musical score. Hats off to Pancham Da!