Category Archives: My Reviews

Khel (1992)

Presented by Sujit Kumar and directed by Rakesh Roshan, Khel is a romantic comedy movie. The movie seems to be inspired from the English movie Dirty Rotten Scoundrels (1988). With a multi star cast, good comedy scenes and music, it is an entertaining proposition.


The Plot

Sulakshana Devi (Mala Sinha) is a widowed and extremely rich lady owning an estate in Chandipur comprising of plantations and industries. Her only son Ravi (Vijayendra Ghatge) had died in a car accident. Ravi was planning to marry Kamini (Bharti) before his death. After his death Kamini comes to meet Sulakshana informing she is pregnant with Ravi’s child. Sulkashana insults her, calls her a gold digger and throws her out of the house. However a few days later Ravi’s friend confirms the truth about Kamini. Efforts made to trace Kamini are unsuccessful.

Sulakshana is depressed. She has no living relatives except a distant relative Balwant (Prem Chopra). Balwant works for Sulakshana and is a villainous character. It was he who had arranged Ravi’s accident with an intention to grab Sulakshana’s property as the only remaining heir. Sulakshana is engaged in social work including running of the local school. Father (Sujit Kumar) is the school principal. Ravi had been his student and he is trusted by Sulakshana.

We come to the other main characters. Seema (Madhuri Dixit) stays with her mother who is none other than Kamini but now called Sharda. Seema is a con woman who works with her business partner “uncle” (Anupam Kher). The pair’s job is fooling rich people and earning money through different schemes. They seem to be fairly successful.

Arun (Anil Kapoor) is another con man. He is an orphan raised in an orphanage run by Sinha (Satyen Kappu). Arun is also engaged in fraud schemes for earning money. It is not revealed why these three have taken up this lucrative profession instead of more decent “shareef” jobs.

All three are in Tikamgadh waiting for the arrival of a rich heiress Tara Jaisingh (Sonu Walia) at a resort. Tara is engaged in philanthropic activities and they are planning to fool her and earn Rs 5 lakhs in return. Arun’s plan is simple. He poses as a handicapped person who has lost his ability to walk when his girlfriend ditches him leaving him heartbroken. He needs Rs. 5 lakhs for getting his leg operated by an imaginary doctor called Dr. Khatpatiya. He hopes to impress Tara and get the money from her.

But Seema and uncle are not far behind. They are keeping an eye on Tara and Arun. They discover Arun’s plan and step in to counter attack. They meet Tara with the fake identities of Dr. Khatpatiya and Dr. Jadibuti. Tara is overjoyed that the doctor is available at the resort and willing to treat Arun right away for a fee of Rs 5 lakhs. Through some funny and so called emotional scenes, Arun gets “cured” to Tara’s delight. Unfortunately its uncle and Seema who get the Rs 5 lakhs. But Arun fools them convincingly and manages to run away with all the money. Tit for tat!

Arun is already making the next plan. Tara is Sulakshana Devi’s family friend and he comes to know about her enormous wealth and opportunity to earn more money by fooling the old lady. He manages to impress the lady with a brilliant first meeting posing as an educated, jobless hungry man and she offers him a job at her estate.

In order to execute his plan, he needs the help of uncle and Seema and goes to meet them. Both are still licking their wounds from the earlier plan’s failure and refuse to work with him. But he manages to convince them and they join him in Chandipur.

The plan is to convince Sulakshana that Seema is her long lost grand daughter. Sulakshana’s acceptance of Seema will be their key to the estate and all the money! Things are arranged skillfully and Seema joins the school as a music teacher and uncle is employed as a butler.

And they are successful. Through their clever actions and planted proofs, Sulakshana is convinced she has met her grand daughter and the last link to her dead son. One person not happy with the development is Balwant who will have to let go of the wealth after getting so close. He decides to find what happened to Kamini and her child to bring out the truth.

Things take a turn when Arun and Seema fall in love. Sulakshana wants them to get married. But with all the trust shown by Sulakshana, Arun, Seema and uncle do not want to deceive the old lady any longer. Will they tell her the truth? Will Balwant be successful in exposing them with some startling information? Who will win this game?

The Music

Rajesh Roshan provides some inspired music and most songs are good. Ek Baat maan lo tum, Na hain zameen na aasmaan, Khat likhna hai were popular.

My Thoughts

The movie is shot in Nairobi, Kenya. The casting is good and they perform effectively. Mala Sinha is good in the emotional as well as comedy scenes. Anil Kapoor and Madhuri were the hit couple in the early 1990s. Surprisingly, they are shown to fall in love at a much later stage in the movie. Anupam Kher is in his usual comedy cum irritating character who has the habit of remembering old songs for every situation and sing them. Sonu Walia, Prem Chopra, Sujit Kumar, Bharti provide good support.

The film was a flop when it released. While the comedy schemes are good, it is difficult to believe that rich people can be so gullible. Anyone can fool them so easily! The climax is pathetic. The viewer would be expecting a nail biting sequence featuring Balwant showcasing his villainous traits ending in a final fight and action scene but that doesn’t happen. Things end in a not so funny cake fight involving the main cast.

Vazir (1994)

There are few movies in Marathi Cinema based on political themes. Sinhasan (1979) was possibly the first such attempt and became a milestone. Vazir (implying the queen in chess) is a fair attempt. How the political game of chess manipulates the life of its main characters representing the king, queen and pawn is interesting to watch.


The Plot

The movie opens with a meeting scene. Apparently the elections have recently concluded. The winning party’s legislators are waiting for the announcement of the new chief minister’s (CM) name from the high command (i.e. their masters in New Delhi). The call comes through and Babasaheb Mohite (Ashok Saraf) is appointed as the new CM. Their is joy on his supporters’ faces. His political opponents including Sawant (Kuldeep Pawar) and Muthal (Sayaji Shinde) are obviously disappointed. Babasaheb is the typical politician. Corrupt opportunist, who will go to any length to retain his position. He is also openly having an affair with a married woman Mrs Shanbag (Fayyaz), each using the other.

Babasaheb settles down in his role as the chief minister. One day his uncle (played by Chandrakant Gokhale) arrives unexpectedly accompanied by a young man. The man is Purushottam Kamble (Vikram Gokhale). He impresses Babasaheb with his sound political advice and skillful handling which can turn an adverse situation in Babasaheb’s favour. Purushottam is soon appointed as the CM’s personal assistant. He becomes the right hand man of Babasaheb. Babasaheb also gains advantage over his political opponents by collecting data of their corrupt deeds in a file. He threatens to hand over the details to the high command to ensure his Government remains stable.

The scene moves to a dancer Kamal Juvekar (Ashwini Bhave) presenting a song Saanj Ye Gokuli at a felicitation function for Babasaheb. After the song she gets brutally raped by Nana Satam (Ashutosh Gowariker) while returning home. Nana is a member of the ruling party and goes scot free.

After the ordeal, Kamal is taken to a rehabilitation centre by Jayant Sane (Ujjwal Thengdi) and a social worker Shakuntala Sathe (Ila Bhate). Jayant is Purushottam’s friend cum mentor. Jayant’s key teaching to Purushottam is to keep moving ahead by making use of different pawns for personal gains.

As part of his game-plan, Purushottam makes the decision to marry Kamal. She is overjoyed and looks forward to a happy life.

Unfortunately this is not to be. For Purushottam, she is the most suitable pawn to move ahead in his political journey. She is a mere puppet in his hands and is required to keep his political bosses happy as per his directions. Her feelings, her status as his better half are no considerations in this political game. Due to his marriage decision, Purushottam becomes an overnight hero and is hailed by the media.

Purushottam wants to encash the sympathy wave. He launches a new party and fields Kamal as the candidate for a by-election. He is ready to take over the corrupt establishment, be the “Vazir” and checkmate the king. But will he succeed and at what cost? And what about the justice for Kamal? Will that ever be on his agenda?

The Music

The movie has only one song Saanj ye Gokuli sung by Asha Bhosle. Its a non-film song but used in Vazir. Wonderful lyrics by Sudhir Moghe and composed by Shridhar Phadke.

My Thoughts

The early 90s was a period of non-stop comedy movies in Marathi cinema. And different efforts like Vazir did stand out during the time. Unfortunately the intention does not translate into successful execution. The first half is engrossing but the second half is weak. The context of many scenes is not explained properly and it is left to the viewer to try filling up the blanks. It is difficult to digest Purushottam’s sudden rise as an influential player with so many seasoned politicians around. He uses his wife for political gains and then changes overnight showing his concern towards her. Are one election campaign and a T.V. interview sufficient to bring down a government? That’s a laughable assumption especially in the days when there was no social media. The second half goes downhill due to some random scenes and things not clear where all this is leading to. The background music is repetitive and loses its impact after some time. Seems to be a shortcut job.

But its the acting that saves the day. Vikram Gokhale, Ashok Saraf and Ashwini Bhave play their characters effectively. Vikram Gokhale has his trademark mannerisms including repetition of words to create greater impact. Ashok Saraf brings out the negative character convincingly and demonstrates his versatility with his body language and timing. Ashutosh Gowariker, Kuldeep Pawar and Sayaji Shinde offer suitable support.

Pehla Pehla Pyar (1994)

Many years back I had watched this movie unaware that it was a copy of the English classic Roman Holiday starring Audrey Hepburn and Gregory Peck in iconic roles. Unfortunately the Hindi version pales in comparison to the classic. It aims to be a fairy tale story but becomes a run of the mill typical 90s Hindi movie.


The Plot

When you have a fairy tale, you have a princess. Princess Sapna (Tabu) lives with her stepmother Rani Maa (Radha Seth) in the princely state of Raigadh. Her father and real mother have passed away. Hukum Singh (Amrish Puri) is a close confidante of the queen and looks after Sapna’s needs. Meaning Sapna has to attend boring Sanskrit lessons, eat boiled food and learn classical music. Rani Maa and Hukum Singh (Amrish Puri) are overprotective of Sapna and she is not allowed to have a free life. She cannot step out of the palace as the common people outside are dangerous and cannot be trusted. Sapna is lonely and has no other comfort than remembering her dead parents.

Rani Maa and Hukum Singh are not as straightforward as they seem. They are having an affair and are after Sapna’s wealth. They need to make a show of being concerned about Sapna’s welfare and get her sign blank cheques to satisfy their greed. They have their own secrets to hide. Apparently Rani Maa had a hand in the king’s death and Hukum Singh is a wanted criminal.

Sapna is frustrated and doesn’t want to live like a caged bird. An old servant Shantabai helps her to flee from the palace in a truck. Sapna is to contact Shantabai’s brother who will take care of her. Sapna is free! The scene moves to Switzerland for a song celebrating her freedom Thandi hawa sun, kali ghata sun.

She meets a common man Raj Singh (Rishi Kapoor) who gets a lift in the same truck. As they get down the truck driver Kader Khan assumes both of them are traveling as a couple and demands money. Sapna offers him a Rs 500 note as that is the smallest denomination she carries in her purse. Raj is frustrated, pays the money and goes home. He is further frustrated when Sapna rings the bell requesting to spend the night at his home. Her language and tone appear funny to him as she doesn’t know how common people live and speak.

Funny scenes follow. She asks the milkman to give her 5 litres of milk and brings home a huge amount of grocery. Raj is losing his patience. He asks her to call Shantabai’s brother and leave his house. She informs she has lost the contact details and has nowhere to go.

Raj gives her an ultimatum and she reluctantly leaves. It starts raining heavily. A worried Raj goes searching for her. He convinces her to come back. A rain song Sawan mahina follows igniting the spark of romance between the two.

The next day, Raj’s journalist friend Anand (Anupam Kher) returns home and is aghast to find a young girl staying in his house wearing Raj’s clothes. Raj explains the situation. Later in the newspaper office while speaking to his editor boss, Anand realises the girl in his house is none other than the princess Sapna. The editor asks him to get an interview of Sapna. Anand promises an exclusive interview along with a footage of the princess doing household chores like cooking, cleaning etc.

Anand ensures Sapna enjoys herself as he gives her a tour of the city. Raj also takes her to his village where his mother and sister are staying. His sister’s marriage has been arranged and his mother is asking him to arrange money. Sapna dresses like a village girl and sings a duet with Raj – Kore kaagaz pe likhwa le.

Anand has also contacted Hukum Singh demanding Rs 2 lakhs in return of Sapna’s safe return to the palace. He wants to give part of the money to Raj for his sister’s marriage.

Meanwhile Sapna sees the simple nature of the villagers and also realises some decisions taken by the palace (implying her) are not in favour of the village. She abruptly leaves Raj’s house and returns to the palace. A visibly transformed Sapna informs Rani Maa that her outlook has changed and she will live the way she prefers going forward.

But Rani Maa and Hukum Singh have other plans. Through emotional blackmail, they make her agree to marry a fake prince Shakti Singh (Gulshan Grover). Shakti is actually Hukum Singh’s son but Rani Maa and Sapna are not aware of this. They also cook up a story that Raj and Anand knew she was a princess and were taking care of her in return of money. Sapna is disgusted at the revelation but comes to know the truth when Raj manages to send her a video with his explanation.

On the day of the engagement, she refuses to entertain Shakti Singh and leaves the palace to live with Raj forever. They sing a romantic song Jaanu, jaanu jaanu.

Wish the movie had ended at this point but unfortunately the viewer is not so blessed. Sapna is forcibly taken to the palace, her marriage is hurriedly arranged, Raj and Anand enter the scene as disguised pundits etc. It goes on and on…

The Music

Anand Milind give some melodious songs. Thandi hawa sun, Jaanu, jaanu jaanu and Kore kaagaz pe likhwa le stand out.

My Thoughts

Pehla Pehla Pyar had potential but fails to deliver. Thus was Tabu’s debut film and she acts confidently. The initial interactions between Tabu and Rishi Kapoor are genuinely funny. But their chemistry as a romantic couple is a bit hard to digest due to the visible age difference. Anupam Kher is irritating. Other supporting actors are good. Kader Khan appears in multiple roles as the truck driver, shopkeeper, train passenger etc.

Overall, the movie had potential. Had it followed the innocent and believable setup of Roman Holiday, it would probably have met with success. But unfortunately it fails to retain the longevity of its inspiration.

2 responses to “Pehla Pehla Pyar (1994)”

  1. Vrushali Avatar
    Vrushali

    Roman Holiday ‘s end was so touching. The princess returns to her palace and Gregory Peck returns to his journalist , common man duties…they sacrifice their love for some higher good and the movie stayed in our hearts.

    Our Indian culture however cannot stand seperation and the hero and the heroine have to wed in the end despite age difference, lifestyle difference and so on…because they say, love has the power to change everything.

    I like Tabu. Always a strong presence in each and every movie. I took to her acting skills instantly. Would definitely to love her as a caged princess who breaks free in this movie. Radha Seth always played evil characheters despite a sweet face. I like Amrish Puri for his dialogue delivery ( till date, he was impossibly evil in KOYLA ).

    Now the hero. I like Rishi Kapoor though he plays same characters ever and ever. Fresh and handsome despite age.

    Good review. Will watch.

    Like

  2. Anjali Phadke Avatar
    Anjali Phadke

    Nice article.

    Like

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