Category Archives: My Reviews

Ghar Ghar Ki Kahani (1970)

My Reviews,

My introduction to Ghar Ghar Ki Kahani (GGKK) is the evergreen Kishore Kumar song Samaa hai suhana suhana. Though a family drama it is not the regular story of hero meets heroine, romantic songs and the mandatory villain. But still is a decent watch. It was made under the banner of Vijaya International by B. Nagi Reddi and Chakrapani. The director is T Prakash Rao. As trivia, there was another film with the same name released in 1988, and was a remake of Gharana (1961).

The Plot

GGKK is the story of 3 families. Shankarnath (Balraj Sahni) and wife Padma (Nirupa Roy) are one happy couple, I mean family. They have 3 school going children – Ravi (Mahesh Kumar i.e. Mahesh Kothare), Raja (Master Ripple) and Rupa (Baby Sonia i.e. Neetu Singh). Shankarnath earns Rs. 630 per month. He seems to work in a Government office and is an honest and principled man who does not accept bribes. He is known for his clean character. Shankarnath is very careful in money matters. He is of the opinion that money needs to be spent thoughtfully.

But his children dont think so. Ravi wants to go to Ajanta Ellora on a school trip but Shankarnath refuses to pay the money. Similarly, Rupa is participating in the school gathering and needs a new frock. Raja requests for a new bicycle. Shankarnath tells them outright that he does not have money for these (unwanted) expenses. He explains that they have to be very careful how money is spent and is unable to fulfil their demands.

Ravi’s school mate is Murli. His father is Sadhuram (Om Prakash). Sadhuram’s boss is Shankarnath. His character is opposite to that of Shankarnath and is an extremely corrupt man. His wife is Jamna (Shashikala) and they have 5 children. Thanks to his “under the table” dealings, he is able to afford every luxury. He readily gives the money to Murli for the school trip which Ravi is also hoping to join. Ravi ponders how Sadhuram is so well off when his boss is barely able to make ends meet. Month on month it’s the same story.

The third family is that of Padma’s brother Mamaji (Jagirdar). His wife is Praveen Paul, who comes from a rich family. They have a pampered son Gopi (Jr Mehmood). A spoilt kid, he gambles on a daily basis. His mother, being the money controller of the house, supplies him with money. He cons her readily with his sob stories and extracts as much money as he wants from her. His father is a shrewd and observant man, waiting for the right opportunity to expose him.

Back to Shankarnath and family. The children have had enough. They want their demands to be met. Ravi sits on a hunger strike (satyagraha). The parents try to intervene but no one is ready to budge. Finally, Shankarnath comes up with a solution. He has a man to man talk with Ravi. He tells him that he will hand over his full salary to him and it is up to him to make the budget of the house and manage the finances. This arrangement will continue for 6 months. Ravi is reluctant to agree to this plan but his siblings push him and he accept the challenge.

Thus begins the interesting challenge. Ravi tries to balance the income and expenditure every month. The focus is on bringing down the spending which he finds is difficult to achieve. Some hard decisions are imminent. The children ask the maid to leave and do the chores themselves. They start walking to school. During Diwali, they ask Padma not to purchase new clothes for them. Looking at their efforts, Shankarnath is also ready to make some sacrifices. All this for saving money.

But there are hurdles along the way. Shankarnath’s nephew Surendra (Jagdeep) arrives with his family to spend Diwali with Shankarnath’s family. He is a miser and Ravi has to bear all their expenses including the taxi fare. After Diwali, Padma falls sick leading to unplanned medical expenses.

On the other hand, Sadhuram is enjoying the fruits of his shady dealings and continues to live in luxury. Gopi is up to no good and indulges in everything else apart from studies.

And there is also a young couple. Sadhuram’s daughter Seema (Bharati) is in love with Suresh (Rakesh Roshan). The song Samaa hai suhana suhana is picturised on this couple while Jalal Agha does the singing.

The entertaining but predictable events continue. All these threads unite as the climax approaches. Things are sorted and the film ends on a positive note.

The Music

Kalyanji Anandji is the music composer with lyrics by Hasrat Jaipuri and Qamar Jalalbadi. The other songs are not bad but could not attain the popularity of Samaa hai suhana suhana.

The songs are voiced Lata Mangeshkar, Hemlata, Mahendra Kapoor and Kishore Kumar. This includes the number Aisa banoonga actor main yaaron picturized on Jr. Mehmood.

My Thoughts

I came to know that the film’s producer B Nagi Reddi was also the founder of the children’s magazine Chandamama, published in multiple Indian languages. He later started producing films. The setting of GGKK reminds you of the type of stories published in Chandamama – simple, engrossing and with a social message.

The main plot in GGKK focuses on the three children and their efforts to manage money. They are ready to sacrifice for long term gains. The common factor among all the families depicted is money, and its impact on the behaviour of the family members. The casting is good and all seasoned actors perform as required. The thoughtful dialogues between Shankarnath and family are believable. Junior Mehmood is convincing as the bratty son from a rich family. He is irritating and over the top as the role demands. This was Rakesh Roshan’s debut film. He and Bharathi hardly have anything to do in the movie. Not sure if their track was edited.

Overall, you know what is going to happen and there is hardly any twist. Nevertheless it makes for an entertaining watch.

Raigadacha Rajbandi (1965)

My Reviews

Films centred around the Maratha empire have been a favourite subject for Marathi filmmakers. They often tell the story of Chhatrapati Shivaji Maharaj. These make for an interesting watch with all the planning, plotting, interesting twists leading to the defeat of the enemies of the Marathas.

Raigadacha Rajbandi (the political prisoner of Raigad) belongs to the same genre but the plot is unusual. Raja Badhe is the producer as well as the lyricist. Raja Thakur is the director.

The Plot

The film’s focus is on Sambhaji Raje’s character (the son of Chhatrapati Shivaji Maharaj). Sambhaji Raje (Chittaranjan Kolhatkar) is held captive by the Mughals. He is being forced to accept Alamgir i.e. Aurangzeb’s authority. He is promised gifts and luxuries if he shifts his allegiance to the Mughals. They torture a dummy in front of him to demonstrate what lies in his fate if he refuses. Sambhaji Raje refuses to bend and would rather accept death than compromise his principles. Left alone to ponder the consequences, he calls someone called Sati Godavari to make an appearance. Who is she, we come to know through a flashback.

Sambhaji Raje is out hunting deer when he arrives at a river, a bit exhausted and thirsty. There he sees Godavari (Sulochana) out to fetch water with her younger sister Krishna (Nayan). Godavari recognises him and offers him water. During the brief interaction, he is taken in by her beauty and demeanor.

The next day, he is shown handling his daily duties as the administrator of Raigad. He arrives in the court to meet people and sort matters. Then he is shown testing some guns, to be purchased from the firangis (foreigners). But he has not forgotten Godavari.

Godavari is the daughter of Hari Pandit. She is staying with her parents but will be going to her in laws place in a few days. It is not clear if she is newly married. [Note, her younger sister is played by Reema Lagoo who started her career as a child actor.]

Godavari goes with Krishna to fetch water where she encounters Sambhaji Raje again. He wants to thank her for her services and as a reward, he flings a valuable necklace towards her. As it happens in movies, it lands around Godavari’s neck. She is shocked at the behaviour. Krishna tells him that Godavari is going to her in laws place tomorrow and she will miss her.

He doesn’t know how to react and leaves without a word. He spends a restless night lost in the thoughts of Godavari and her impending departure. He is convinced that she is not happy with her in laws. She is eager to meet him again. They both want to spend time with each other. He longs for her company. The decision is made. Next day, he ambushes the palanquin procession and abducts Godavari. She is brought to the fort.

At the fort, he offers to marry her. But she delivers a long lecture and asks him to stay away from her. He obliges. Even his shadow would not be touching her against her wishes. The days go by. Godavari mellows down as Sambhaji Raje keeps his word; he treats her respectfully, always maintaining a distance between them.

But all is not normal in Godavari’s house. Godavari’s mother is furious at Sambhaji Raje’s behaviour. She sets to go and confront him but her husband stops her. Later, Hari Pandit and Krishna go to meet Rajmata Jijabai (Durga Khote), the grandmother of Sambhaji Raje. Hari Pandit is tongue tied. How can he reveal the abductor’s name in front of Sambhaji Raje’s grandmother?

After much coaxing, the young Krishna blurts out Sambhaji Raje’s name. The necklace is handed over as proof. Rajmata Jijabai is shaken and promises action. A faithful servant called Dharaai (Mai Bhide), who was the governess of the young Sambhaji seeks forgiveness. Dharaai also meets Sambhaji Raje to understand what happened and the reason behind his rash behaviour.

It doesn’t take time for the news to reach Chhatrapati Shivaji Maharaj (Chandrakant Gokhale). He goes to meet Rajmata Jijabai. They have a long conversation on Sambhaji Raje’s behaviour. Both of them attempt to accept responsibility for his actions. After all they were responsible to look after him after his mother passed away when he was 2 years old. Is the father responsible or the grandmother? A crime has been committed and justice needs to be ensured.

Finally, the day of the decision arrives. There is an altercation between Chhatrapati Shivaji Maharaj and Sambhaji Raje. The father is about to behead the son when Godavari rushes in to stop him. She speaks in favour of Sambhaji Raje. Agreed, he had abducted her but after that he has treated her respectfully. She has no complaints.

Chhatrapati Shivaji Maharaj then decides to blind Sambhaji’s eyes in order to teach him a lesson. Sambhaji Raje agrees but Ramdas Swami steps in and stops the act. Sambhaji Raje is made the prisoner of Raigad.

Arrangements are made to send Godavari to her in laws’ house. But she has other plans. She does not want to burden her family with the consequences of what happened to her. People are bound to talk and she wants to avoid that at all costs. What will she do? What solution does she offer?

The Music

Raja Badhe is the lyricist while D.P. Koregaonkar (K. Datta) is the music director. The songs are melodious and well rendered. Suman Kalyanpur sings 3 songs (He vrindavan sangte satichi katha, Sutena maherachi mithi and Anand mani maeena). Asha Bhosle sings Sakali uthuni mukh pahava aaicha and Chalali Godavari. There is also a short song Chashme paimana uthale (by Mubarak Begum). The climax features a powada by Pirajirao Sarnaik narrating Sambhaji Raje’s story.

My Thoughts

The film is different from what you would normally expect from this genre. There is no plotting from the Maratha’s enemies (Adilshah, Nizam, or the Mughals) and the fitting response given by the Marathas. The thrill is missing. That itself is a disappointment.

There are many long scenes with the characters mouthing expressive dialogues. At times the movie resembles a play making it tedious to watch. You wish there was less dialogue and more action. The solution at the end may be relevant to the times but leaves the viewer with a debatable question – is justice really delivered? The message is not clear. Most of the cast are well known names. Sulochana stands out with her impressive performance.

Alibaba Aur 40 Chor (1966)

My Reviews

Ali Baba and the Forty Thieves, as we know, is a famous fairy tale or folk tale. It is part of the Arabian Nights stories. It has been made multiple times in Hindi cinema, the most famous being probably the Indo-Russian version released in 1980.  In today’s post, we visit the 1966 version produced and directed by Homi Wadia under the banner of Basant Pictures. He had made another movie on the same subject in 1954.

The Plot

The story is familiar. The film starts with the gang of 40 thieves leaving their hideout, located in a cave in the mountains. The chief (played by B M Vyas) shouts “Khulja Sim Sim” and “Band Ho Ja Sim Sim) to open and close the mouth of the cave. Only those who say the magic words (or password) can enter or leave the cave.

The thieves are on a mission to loot a city. They enter some tents and kill the parents of a girl called Marjina (L Vijayalaxmi). Marjina survives because she was hiding in a chest with the help of Aflatoon (Kamal Mehra). Its not clear if Aflatoon is her relative or a servant. The chief orders the tents to be set on fire. Marjina escapes in time with Aflatoon.

We see Alibaba (Sanjeev Kumar) distributing money to the needy. The reason being his brother Amir (or Mir) Qasim (S. N. Tripathi) is getting married. Assisting him is his faithful servant Gulbadan (Tabassum). She hopes Alibaba too will get married soon and has atleast 4 wives. His elder sister is Razia (played by Veena).

His brother and sister in law have arrived home. There is a ritual where the newly weds see each other’s faces for the first time reflected in a mirror or plate. Alibaba is too excited to meet his bhabhi. The wife (played by Indira) sees the handsome Alibaba’s face in the reflection and assumes he is her husband. But she is shaken when she sees her actual husband Qasim, who is well, not so good looking. Qasim is a simple man and she wastes no time in manipulating him and make him act as per her wishes.

The new bhabhi has her sights set on Alibaba and tries to seduce him one day. He cannot accept this. He tells her he treats her like his mother. She should maintain the purity of their relationship. She sees her husband entering and changes tact. She accuses Alibaba of trying to take advantage of her. Razia steps in and admonishes her for falsely accusing Alibaba. But the gullible Qasim is easily convinced by his wife’s drama. Razia cannot digest the insult and allegations; she decides to leave the house with Alibaba. The loyal Gulbadan joins them.

We see Marjina again. She is dancing in order to earn a living. Aflatoon is also with her. Qasim’s soldiers led by Jaffar try to capture her (to take her to Qasim) but she manages to give them the slip after a fight sequence. Marjina and Aflatoon hide in a tailor’s shop. The tailor Mustafa Baba (David) is an expert in mending clothes. They see him flirting with a young customer. He claims he can even sew a dead body, such is his expertise.

The soldiers corner Marjina, and Jaffar whips her in public. Alibaba arrives and lectures Jaffar. There is another long fight scene making you wonder if you are watching a stunt film. Jaffar and his men run away. Afterwards, Marjina and Aflatoon want to thank Alibaba but he insults her and goes away. He doesn’t trust women after his bitter experience. They follow him and see him entering his house.

Seeing that Jaffar and his men are still pursuing them, Aflatoon knocks on Alibaba’s door and seeks his help. Alibaba agrees. There is another fight(!) before the soldiers finally go away. Razia asks what the commotion is about. She welcomes the guests Marjina and Aflatoon and requests them to stay in the house. Aflatoon meets Gulbadan and we know this is the beginning of a comedy side plot.

Alibaba takes Aflatoon with him to cut wood. Due to Aflatoon’s antics, one of the donkeys meant for loading the wood runs away. Alibaba rushes after the donkey. He hears the sound of Khulja Sim Sim and the thieves coming out of the cave on their horses. Then there is a shout “Band Ho Ja Sim Sim” and the opening closes as the group leaves.

A curious Alibaba goes to the entrance of the cave and utters the same words. There is a rumbling sound as the “door” opens. We see a huge lever being operated by men who are bound in chains. So, there is no magic involved (?) in the opening and closing of the opening!

Alibaba wonders what lies ahead. There is some acid like fuming liquid at the bottom. You need to cross a bridge to enter another chamber. This chamber is filled with unimaginable riches. A treasure trove of gold, silver, jewels, coins, you name it.

He realizes this is hideout of the thieves, who store their looted treasure here. He gathers as much as he can in 2 sacks and loads them on his donkey. He knows that too much of greed is not good.

Upon returning home, he enjoys a hearty meal cooked by Marjina. Later, he shows the riches he has brought home. Razia asks him the source and Alibaba says it is a gift from God. Days pass. Razia proposes that Marjina get married to her brother. Marjina has started liking him but Alibaba is in no mood to agree. He thinks of Marjina only as a servant, a cook.

News have reached Qasim and his wife about the riches in Alibaba’s house. They are curious to find the source of this sudden wealth. They hatch a plan to invite him to their house along with Razia.

Qasim pressures Alibaba to share the secret with him. Finally Alibaba gives in and tells him the truth about the secret cave and treasure. Having got the information, Qasim orders the soldiers to throw Alibaba in the dungeon and execute him the next day. Qasim leaves immediately in search of the cave.

Jaffar proceeds to arrest Alibaba but is saved by Marjina. The soldiers attack them and Qasim’s wife is killed in the ensuing action. Alibaba and the others manage to escape safely.

Qasim arrives in the secret cave and collects as much riches as he can. But he forgets the magic words to be uttered for coming out of the cave. He tries different phrases but they do not work. Unfortunately, the thieves arrive and they realize the presence of an intruder. Qasim is caught and beheaded by the thieves.

Alibaba knows his brother had gone to the cave. He reaches there but is too late. He brings back the two pieces of Qasim’s body. But the body cannot be buried with a detached head.

Marjina informs she knows just the right person to sew the head to the body and that is Mustafa Baba, the tailor. She goes to meet Mustafa with a bag of coins. She blindfolds him and brings him to Alibaba’s house. On the way, Mustafa hears a fakir singing so he knows the locality he is being taken to. He sews up Qasim’s head to the body and is taken back home blindfolded. But before that, Mustafa shrewdly puts a chalk mark on Alibaba’s door by diverting Maarjina’s attention. He is confident of locating the house the next day.

The thieves come to know about the sewn up body when they hear Mustafa boasting and enjoying the money he had earned from that job. They threaten him to reveal the house he was taken to. He says he was blindfolded but he can locate the house because of the cross mark. Marjina overhears this. She rushes and makes similar marks on all the houses in the neighbourhood. The thieves arrive and realize they have been fooled and are dealing with a clever adversary.

But eventually, the chief finds that Alibaba is the man he is looking for. Alibaba has grown rich overnight. He is now the new Amir. The chief makes plans to visit Alibaba posing as an oil merchant. His gang of thieves will be hiding in oil jars. This leads to the climax involving a song, dance and a chase sequence in Hindi film style.

The Music

The songs are fine, all composed by Usha Khanna. But none of them are memorable. One song, which I had heard on the radio Aaja Baahon Mein Dil Ki Raahon Mein is sung by Mukesh and Suman Kalyanpur. Strangely, the credits do not list her as one of the singers.

My Thoughts

The story diverts from the original. Some key points are missing. Like Alibaba requesting for the weighing scales from Qasim for weighing the riches. Qasim’s wife applies some wax beneath the scales and finds a gold coin stuck to it. Also, the climax is changed.

Overall, it has the look of a low budget film. The sets are patchy. There are many songs which don’t contribute much to the story. There are hardly any big names in the cast. This was one of Sanjeev Kumar’s earlier films before he became a big name and did roles suited to his calibre. The story is a classic but unfortunately the film fails to live up to the expectations.