Tag Archives: almost solo songs hindi films

“Almost Solo” Songs


Hindi films are incomplete with songs. Some songs take the narrative ahead and some are there simply to entertain. We have many accomplished singers who sing those lovely compositions. The songs are in the form of solos or duets, some backed by chorus and some having multiple singers.

Then there are some which sound like a solo i.e. featuring one singer. But on close observation, you realize there is another singer’s presence in the song. Their contribution is limited to singing the mukhda, a few words or even humming. I wonder if these songs can be called solos? How about terming them as “almost solos” because technically they are not duets?

So, here is a list of some songs on this theme. Do you remember any such songs?


1) Song: Woh Chand Khila
Film: Anari (1959)
Credits: Shailendra | Shankar Jaikishan | Lata Mangeshkar and Mukesh

This is a sweet and playful song picturised on Nutan and the “simple” hero Raj Kapoor. Nutan’s character does most of the singing. But hold on, the hero croons something too, calling out the movie’s title! Raj Kapoor via Mukesh sings only one line at the beginning…naa samjhe woh anari hai.


2) Song: Madhuban Mein Radhika
Film: Kohinoor (1960)
Credits: Shakeel Badayuni | Naushad | Mohammed Rafi and Ustad Niyaz Ahmed Khan

This is an evergreen semi-classical song picturized on Dilip Kumar. He sings and plays the sitar while Kumkum responds through her dance moves. A lovely song based on raga Hameer. While a predominantly solo song by Mohammed Rafi, it has a very small classical portion sung by Mukri’s character, apparently for comic relief. These fast and difficult taans are voiced by Ustad Niyaz Ahmed Khan, a classical vocalist of the Kirana gharana.


3) Song: Ho Re Ho Re Jhanan Ghoongar Baaje
Film: Gunga Jumna (1961)
Credits: Shakeel Badayuni | Naushad | Lata Mangeshkar, Mahendra Kapoor and Chorus

Dilip Kumar, playing Gunga is being released from the prison and returning home. Vyjanthimala (as Dhanno) is eagerly waiting for him and sings this song in anticipation. The male portion at the end (O..ho..hooo) where Gunga announces his arrival is said to be voiced by Mahendra Kapoor (though he is not officially credited).


4) Song: Thandi Hawa Ye Chandni Suhani
Film: Jhumroo (1961)
Credits: Majrooh Sultanpuri | Kishore Kumar | Kishore Kumar and Asha Bhosle

Another gem of a song in the voice of Kishore Kumar. But the song begins in a female voice. We see Madhubala humming at the beginning. She gets diverted by Kishore Kumar’s singing as he begins his portion and occupies the song. It seems Asha Bhosle does the humming, but the song is known as a Kishore Kumar solo.


5) Song: Yeh Mera Prem Patra
Film: Sangam (1964)
Credits: Hasrat Jaipuri | Shankar Jaikishan | Mohammed Rafi and Lata Mangeshkar

This as we know is a Mohammed Rafi song. Rajendra Kumar sings it addressed to Vyjanthimala. The song continues after the hero’s portion is done. Towards the end, Lata Mangeshkar starts humming and sings two lines…ke tum meri zindagi ho, ke tum meri bandagi ho. The song ends on that note.


6) Song: Aaj Hai Pyaar Ka Faisla
Film: Leader (1964)
Credits: Shakeel Badayuni | Naushad | Lata Mangeshkar and Mohammed Rafi

This is a fantasy song from a boring movie with great songs. Lata Mangeshkar sings for Vyjanthimala. Her lover Dilip Kumar has been converted to stone. She sings and dances in agony to bring him back in human form. Her efforts are successful. At the end, the hero emerges, and Mohammed Rafi delivers a couple of lines of a sherHusna se ishq kabhi door nahi reh sakta. Dil agar dil hai to, majboor nahi reh sakta.


7) Song: Tum Jo Mil Gaye Ho
Film: Hanste Zakhm (1973)
Credits: Kaifi Azmi | Madan Mohan | Mohammed Rafi and Lata Mangeshkar

This is a beautiful song by Madan Mohan with a terrific music arrangement. Navin Nischol is driving a taxi and he sings this number addressed to Priya Rajvansh. Midway into the song, they are sitting beside the sea when she sings the mukhda. There is no music, you hear Lata Mangeshkar’s clear voice with the waves lashing in the background. Then, the tempo increases like never before. It is back to the hero to sing the last stanza and complete the roller coster of a song.


8) Song: Parda Hai Parda
Film: Amar Akbar Anthony (1977)
Credits: Anand Bakshi | Laxmikant Pyarelal | Mohammed Rafi, Amit Kumar and Chorus

This is one of the entertaining songs of the most entertaining Amar Akbar Anthony. Akbar (Rishi Kapoor) sings this qawwali addressed to Neetu Singh. His catch line is “Akbar mera naam nahi hai.” His friend Anthony (Amitabh Bachchan) is sitting in the audience and reacts with wah wah and only one line – Akbar tera naam nahi hai towards the end.

The story goes that Kishore Kumar was approached to sing that line but he quoted a high price. In the end, it was sung by his son Amit Kumar. (Note: For some reason, the “Tips” company version circulated on YouTube has Mohammed Rafi singing that line. He sings “Akbar mera naam nahi hai” whereas you can easily see Amitabh mouthing “Akbar tera naam nahi hai.” I wonder why this editing was done).


9) Song: Tere Bina Jiya Jaye Naa
Film: Ghar (1978)
Credits: Gulzar | R. D. Burman | Lata Mangeshkar and Kishore Kumar

Ghar was directed by Gulzar. Rekha and Vinod Mehra play the happily married couple. This is a melodious and well picturized song. Lata Mangeshkar is the main singer and Kishore Kumar unexpectedly joins at the end to sing the mukhda. It seems there are 2 versions of the song available – one as a solo and the “duet” which appears in the movie soundtrack.


10) Song: Aur Is Dil Mein
Film: Imaandaar (1987)
Credits: Prakash Mehra | Kalyanji Anandji | Suresh Wadkar and Asha Bhosle

This hit song appears twice in this forgotten movie. Sanjay Dutt and Farah play the leads who fall in love and get separated. In this song, Sanjay Dutt sings his heart out describing that all he cares for is the heroine and her love. The heroine is sitting as a guest, listening and reacting to this rendition. Suresh Wadkar almost sings the full song. At the end, the heroine is unable to control herself and sings a couple of lines in admission of her love. These are sung by Asha Bhosle who also sings the “proper” solo version earlier in the film.