Tag Archives: romance

Mr. X in Bombay (1964)

Mr X in Bombay can be termed as one of the first movies to depict the “invisible man” concept. And when its Kishore Kumar playing the lead character, you can be assured of silliness, comedy and some great songs.

The Plot

Our hero is Kavi Sudarshan (Kishore Kumar), who joins Nritya Kala Mandal as a poet cum singer. Here he meets the heroine Shobha Mathur (Kumkum),  an actress and dancer. Sudarshan falls for Shobha. Its not exactly love at first sight! Shobha meets him dressed as an old woman (a character from the play) and then dances on his poetic creation as a young woman. Sudarshan falls for the younger version!

While initially Shobha makes fun of his simple look (read dhoti kurta), she falls in love with him. Sudarshan undergoes a makeover in his dressing sense as well as his music. Sudarshan happily announces to his mother (Leela Mishra) that he has found the “bahu” for her.

Shobha’s father Professor Mathur (Randhir) is a scientist who is inventing interesting(?) products like energy tablets which make humans jump high up in the air and cars that fly.

Shobha tells her father about Sudarshan but he reminds her of the bitter truth and reality. Enter the villain Rajan (Madan Puri) and Neena (Jeevan Kala). Rajan knows a dark secret about Prof Mathur and is blackmailing him. He has sights on Prof Mathur’s promising invention that will make him rich and wants to marry Shobha too as part of the deal.  

Now comes the “invisible” plot point. Due to Rajan’s pressure, Shobha is compelled to reject Sudarshan’s marriage proposal and insults him in her house. Unable to face the reality, Sudarshan writes a suicide note. He sees a poison(?) bottle conveniently lying unattended and drinks it after singing a beautiful parting song – “Mere mehboob qayamat hogi.

As expected, the so called poison liquid is one of Prof Mathur’s inventions which makes a person invisible. But why is it kept unattended in the house instead of the laboratory is anybody’s guess!

Sudarshan’s tranformation to invisibility leads to those typical Hindi movie funny situations. People cannot see but hear him and term him as a bhoot/atmaa.

The invisible Sudarshan meets Shobha, the professor and his mother and convinces them he is alive. It gives him a chance to teach Rajan a lesson leading to a car chase, kidnappings, a bit of suspense revealing followed by the villain’s bashing and reunion of the lead pair at the end.

The Music

This was one of Laxmikant Pyarelal’s initial movies in their long career. Mere mehboob qayamat hogi is a classic. Other catchy tunes are Khubsoorat haseena janeja janeman and Ye rang-e-mehfil, ye jashn-e-bahaara.

My Thoughts

While an interesting subject when the movie was made, it doesn’t translate into a very entertaining final product. The invisible sequences seem stretched out and the special effects don’t look that convincing. You are invariably reminded of other movies like Mr. India which seem so funny and memorable. It’s the songs that stay with you in this otherwise forgettable film. Kishore Kumar is up to his usual antics.  Madan Puri is good as the negative character.

Trivia shot: Kishore Kumar and Kumkum had starred in another film in the same year (Ganga Ki Lehren).

Swami (1977)

Swami is a Hindi language movie based on an adaptation of Bengali novelist Sarat Chandra Chatterjee’s story by the same name. The movie’s producer is Hema Malini’s mother Jaya Chakravarthy and directed by Basu Chatterjee.  The movie brings out an interesting theme whether a man or woman can be independent after marriage and the obligations they have towards each other, their families etc.

The Plot

The movie, in a Bengali setting, begins with Saudamini “Mini”(Shabana Azmi) narrating her story. It’s been 6 months since she got married. She was one year old when her father passed away. After which, she and her mother (Sudha Shivpuri) went to stay with her uncle (Mamaji) (Utpal Dutt). Later Mamaji’s wife also passed away. Mamaji treated her like his own daughter, educated her, and wants her to complete her B.A. (graduation).

Brought up as a progressive and educated girl, Mini indulges in literature induced chats with her uncle. Joining them is the local zamindar’s son and neighbour Naren (Vikram). Mamaji is aware that Vikram’s frequent visits are not for the purpose of chatting and bringing books, but Mini is part of his agenda! Mini too falls for Naren and are hoping to get married.

Mamaji himself is progressive and stays away from orthodox beliefs and rituals. He wants Mini to complete her graduation before getting married. Mini’s mother on the other hand is an orthodox lady, and wants Mini to get married soon and settle down as a normal housewife.  

Fed up with his sister’s pestering, mamaji visits Madhupur for a proposed match. Mamaji assures Mini he will reject the match as he knows about her and Naren.

The proposed groom Ghanshyam (Girish Karnad) is a food grain trader and less educated than Mini. This is his second marriage. He is the eldest son of the house staying with his step mother (Shashikala), who has a married son (Dheeraj Kumar) and a daughter Charu (Preeti Ganguli).

Unfortunately, mamaji suffers a heart attack while returning from Madhupur. On his death bed, he tells Mini that Ghanshyam is the right match for her. He advises her “Naren can provide her love but Ghanshyam can carry on the responsibility brought by marriage.” Mamaji passes away leaving Mini shattered.

Her marriage to Ghanshyam is a forced marriage and she needs time to adjust in her in-laws’ home and more importantly accept Ghanshyam as her husband. Her husband is the major bread earner of the house who slogs throughout the day. But its his stepbrother Nikhil who gets all the attention. Ghanshyam accepts everything patiently.

While she slowly accepts the situation, Naren comes visiting as Nikhil’s friend to complicate matters. Things reach a point when Mini decides to leave the house with Naren while Ghanshyam is away. And this leads us to the movie’s climax where a lifelong decision awaits Mini.

The Music

Rajesh Roshan is the composer with lyrics by Amit Khanna.

2 songs that stand out are Pal bhar me ye kya ho gaya by Lata Mangeshkar and the classical music thumri “remake” “Kaa karoon sajani aaye na balam, passionately sung by K.J. Yesudas.

My Thoughts

The film belongs to Shabana Azmi. What a performer she is! She starts off as the impressive and chirpy Mini but has to mellow down after the sudden forced marriage. She is ready to tackle her mother-in-law when required and live on her terms. Gradually, she is impressed by her husband’s nature and his progressive views especially on how women need to be treated. This leads to the first thaw in their strained relationship. And we see a more mature Mini blossoming. But things take a turn for the worse when Naren arrives and she takes a stand against the whole house.

Girish Karnad appears too down to earth in the beginning but gives space to his new wife to settle down amicably. He is clear on what is right or wrong and doesn’t back away from expressing his stand to Mini or other members of the family. He brings out the balanced character nicely.

Other cast members including Utpal Dutt and Shashikala are good. 

Overall, this is an entertaining movie from Basu Chatterjee. It somehow reminds me of his another movie Apne Paraye (1980), also based on a novel by Sarat Chandra Chatterjee.

Trivia Shot – Dharmendra & Hema Malini appear in cameos in a song. They had played cameos in another Basu Chatterjee movie Chhoti Si Baat (1976) and can be seen in the song Jaaneman jaaneman tere do nayan.