All posts by GGaurav

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About GGaurav

I am passionate about old movies, songs and trivia.

Swarg (1990)

Rajesh Khanna, fondly known as the first superstar of Hindi cinema was born on 29 December 1942. He saw unprecedented success followed by an unfortunate bad phase, accompanied with fading stardom. But he continued to act in movies irrespective of their fate at the box office. Today’s movie is perhaps his last hit where he plays a central character. Swarg is directed by David Dhawan This was before his entry into the comedy genre for which he is more famously known.


The Plot

Swarg means heaven and here it is the name of a mansion like house owned by Kumar (Rajesh Khanna). Kumar lives with his wife Janki (Madhavi). The other occupants are his 3 step siblings – Ravi (Dilip Dhawan), Vicky (Raja Bundela), and Jyoti (Juhi Chawla). Ravi’s wife is Naina (Neena Gupta). Kumar had promised his dying stepmother (Shammi) that he and Janki will shower all their love and care on the 3 siblings. In order to avoid complications(!), they decide not to have children. Kumar sells the old house they were living in and sets up a garment business with the money. He achieves success through his hard work and becomes a rich and respected businessman.

Their is one more occupant in Swarg – Krishna (Govinda), an orphan. Kumar had met the young boy Krishna is a temple and brought him home. Krishna grows up as a servant in the house but he is a servant only in name. He worships Kumar and can go to any extent to ensure his happiness and well being. Krishna also has some light hearted moments with the college going Jyoti. Krishna is a movie buff and crazy about acting. He likes to sing songs and mimic well known actors. His dream is to become a successful hero.

Kumar has received a substantial business order and needs a loan of Rs 50 lakhs. He has approached Chowdhary (Vikas Anand) for the loan. It is agreed that Swarg will be kept as mortgage and the loan is sanctioned. All is going well.

But where there is heaven, there is bound to be hell. In the Mill Owners Association’s election, Kumar defeats his rival Dhanraj (Paresh Rawal), who was the president for many years. Dhanraj is the opposite of Kumar. He is a corrupt businessman and is afraid that his misdeeds in running the association will be exposed by Kumar. He tries to bribe Kumar, who slaps him in public, warning him not to try such antics.

Kumar and Janki arrange Jyoti’s engagement with Choudhary’s son. The engagement day arrives, celebrations are in full swing. Then disaster strikes. Kumar gets a call that his factory has caught fire. The whole factory is gutted and life takes a turn for all.

Money lenders arrive at Kumar’s house requesting him to pay their debts. Kumar seeks money to rebuild his business and requests his siblings to act as guarantors. Apparently, they have their own businesses. They blatantly refuse his request. Kumar manages to use his savings and satisfy the debtors. Jyoti’s engagement is broken.

Ravi, Vicky and Naina start showing their true colours. Kumar asks them to not indulge in avoidable expenditures like arranging a grand party for Naina’s birthday but he gets insulted. Vicky goes to the extent of stealing Jyoti’s wedding jewellery and put the blame on Krishna. Surprisingly, Kumar believes Krishna is the culprit and asks him to leave the house. Krishna is shocked and has no option but to leave.

Janki admonishes Kumar, who explains to her that he did not want Krishna to live in this polluted atmosphere and had to send him away with a heavy heart.

Krishna heads to Mumbai. After a dramatic encounter with a local goonda, he befriends a film production manager with a funny name Airport/ Adda (Satish Kaushik). Airport offers him accommodation and the job of a spot boy in the film studio. Krishna is a hard worker and one day luck shines upon him unexpectedly. He gets a chance to perform a movie scene when the actor performing it keeps on bumbling leading to multiple retakes. Krishna accepts the challenge and performs the scene brilliantly. He gets cast in the role. He gradually becomes a celebrated actor.

And Kumar? Life is hell. His step brothers are against him. Dhanraj arranges for Swarg to be auctioned to further humiliate Kumar. Janki can’t bear this and commits suicide. Ultimately Kumar leaves with Jyoti and start leading a poverty driven life.

A rich and successful Krishna arrives in Swarg to find it locked. He comes to know the shocking events and changes that have taken place since he left and plots revenge from Dhanraj, Ravi and Vicky. He hatches a plan with Airport to destroy them financially and teach them a lesson. Will he succeed? Will he be able to reunite with Kumar and take him back to his “Swarg”?

The Music

The lyrics are by Sameer and music by Anand Milind. The songs have the typical late 1980s and early 90s vibes. Govinda gets to dance in most of them like Filmon ke saare hero, Bam bam bam bam Bambai, Tum sajana ke ghar and the love duet Kaise kate din. One song is a sad song Ae Mere Dost picturised on Rajesh Khanna after Govinda leaves the house.

My Thoughts

Swarg’s plot is stale and can be seen in many multi starrer movies made during this period. A well to do family falling on bad times, there is separation, sacrifice and ultimately time for reunion. Rajesh Khanna hams at times but performs well in the emotional scenes. Govinda shows his acting mettle in the initial scenes where there are light hearted moments and later when he becomes a star and starts planning revenge. There is the inevitable love angle between Krishna and Jyoti which thankfully is very short and portrayed through a song. Paresh Rawal is effective as the scheming Dhanraj. So is Satish Kaushik as Krishna’s friend and co-plotter.

Overall, though predictable, David Dhawan succeeds in weaving a cohesive and entertaining story. Its strange he stopped making such movies eventually and stuck to the comedy genre.

Naushad – Challenge and Competition Songs

Today’s post is dedicated to the late music director Naushad Ali (born 1919), his birthday falls this week on 25 December. He was a passionate advocate of Indian classical and folk music, which he used predominantly in his compositions.

Today’s list theme involves a competition or challenge situation occurring in the movie’s story line, which then results into a song. All 10 songs are based on this situation and composed by Naushad, which in a way showcase his range and versatility. Hope you enjoy and do leave your comments on this great composer.


1) Song: Aaj Gawat Mann Mero Jhoomke
Film: Baiju Bawra (1952)
Credits: Shakeel Badayuni | Naushad | Ustad Amir Khan and Pt. D. V. Paluskar

The first song in the list is a direct face-off between Tansen (Surendra) and Baiju (Bharat Bhushan in Akbar’s court. Its a singing competition where the two accomplished singers will sing all through the night and try to melt a block of marble demonstrating their singing prowess. A classical number in raag Desi, brilliantly performed by stalwarts Ustad Amir Khan (singing for Tansen) and Pt. D. V. Paluskar. It makes for an exciting watch as the outcome will decide if Baiju will be able to avenge his father’s death and fulfill his life long objective of killing Tansen.

Prem ke karan premi gaawe,
Taanon se patthar pighlaawe,
Jagat mein rahe maan re
Aaj gawat mann mero jhoom ke


2) Song: Chandan Ka Palna
Film: Shabab (1954)
Credits: Shakeel Badayuni | Naushad | Hemant Kumar

Another royal setting. Here the princess (played by Nutan) suffers from insomnia. However hard she tries, she is unable to have a peaceful sleep. She realises that music may be a remedy to her ailment. Soon musical exponents from all over are invited and challenged to cure the princess with a display of their talent. Many come and try but are unsuccessful. Finally, the hero (Bharat Bhushan) accepts the challenge. He presents this moving lullaby set in raag Pilu and emerges successful. Naushad makes use of very few instruments fitting the situation and Hemant Kumar sounds soothing.


3) Song: Teri Mehfil Mein Kismat Azamaakar
Film: Mughal-e-Azam (1960)
Credits: Shakeel Badayuni | Naushad | Lata Mangeshkar, Shamshad Begum and Chorus

It is entertainment hour for Prince Salim (Dilip Kumar). Anarkali (Madhubala) and Bahar (Nigar Sultana) compete against each other in bait baazi (a verbal game of Urdu poems). They are presenting the differing perceptions about the concept of love. Prince Salim will pick the winner.

Mohabbat Karne Waalon Ka Hai Bas Itna Hi Afsana,
Tadapnaa Chupke Chupke Aahe Bharnaa Ghut Ke Mar Jaana,
Kisi Din Ye Tamasha Muskuraa Kar Ham Bhi Dekhenge,
Teri Mehfil Mein Kismat Azamaakar Hum Bhi Dekhenge,
Aji Haa Ham Bhi Dekhenge


4) Song: Madhuban Mein Radhika
Film: Kohinoor (1960)
Credits: Shakeel Badayuni | Naushad | Mohammed Rafi and Ustad Niaz Ahmed Khan

Rajlakshmi (Kumkum) is ready for her dance performance but the experienced musicians are not ready to play for a “fresher.” A young man Rajkumar Dhivendra Pratap (Dilip Kumar) steps in. He is ready to perform with her as a singer cum musician. They end up challenging each other. The dancing, singing, music are all top notch. Dilip Kumar plays the sitar convincingly in this raag Hameer composition.


5) Song: Mere Mehboob Tujhe
Film: Mere Mehboob (1963)
Credits: Shakeel Badayuni | Naushad | Mohammed Rafi

This is an annual mushaira, where Urdu poets are competing by reciting their shayari compositions. One of the participants is the hero Anwar (Rajendra Kumar). He presents this romantic song. It is dedicated to the burkha clad girl he had collided with, resulting in a romantic encounter. Once again, the focus is on the poetry presentation and singing with minimal use of instrumentation.

Bhool sakti nahin aankhen woh suhana manzar,
Jab tera husn mere ishq se takraraya tha,
Aur phir raahon mein bikhare the hazaron naghmein,
Mein woh naghmein teri aawaz ko de aaya tha,
Saaz-e-dil ko unhi geeton ka sahara de de,
Mere khoya hua rangeen nazaara de de,
Mere mehboob tujhe…


6) Song: Mere Mehboob Mein Kya Nahin
Film: Mere Mehboob (1963)
Credits: Shakeel Badayuni | Naushad | Lata Mangeshkar and Asha Bhosle

From the same movie, we have another song between 2 friends Husna (Sadhana) and Naseemara (Ameeta). They are conversing about their respective beloved which soon progresses into a competitive song. Through the song they describe him and try to outdo each other. There is a lot of comparison, adjectives and superlatives used. Both are unaware they are describing the same person which is going to lead to complications!

Mera mehboob ek chaand hai husn apana nikhaare huey,
Asmaan ka farishta hai woh roop insaan ka dhaare huey,
Rashk-e-jannat hai woh mehejabin,
Mere mehboob mein kya nahin


7) Song: Aaj Hai Pyaar Kaa Faisla
Film: Leader (1964)
Credits: Shakeel Badayuni | Naushad | Lata Mangeshkar

Leader is a mess of a movie. This song is a dream/fantasy sequence which appears randomly in the plot. Dilip Kumar and Vyjanthimala are on the run. He is injured and they take refuge in a temple during a stormy night. He is resting. She lies down next to him and enters a dreamy world. Her lover has been converted to stone. She is challenged to bring him back through her love and dedication. And being a Hindi movie heroine, this is an opportunity to display her impactful singing and dancing skills! A random song but nevertheless beautiful composition by Naushad.


8) Song: Saaz Ho Tum
Film: Saaz Aur Awaaz (1966)
Credits: Khumar Barabankvi | Naushad | Mohammed Rafi

A contrived situation resulting in a challenge. An uninvited Joy Mukherjee meets Saira Banu. She is angry with him and they insult each other. He challenges her she won’t be able to control herself and start dancing once he begins singing. And that is what happens. Naushad blends many raagas and instruments in this song. A melodious number with impressive singing by Rafi.


9) Song: Teri Payal Mere Geet
Film: Teri Payal Mere Geet (1993)
Credits: Hasan Kamal | Naushad | S. P. Balasubrahmaniam

This is one of Naushad’s last movies. The song is between a dancer Laila (Meenakshi Sheshadri) and singer Premi (Govinda). Laila has been invited to perform at a wedding but refuses to perform due to personal reasons. She makes an excuse that she is unable to think of a song. Premi volunteers to sing a song and she can accompany him. Both challenge each other and end up performing together. While the song is forgettable, Meenakshi’s dancing is exquisite and a delight to watch.


10) Song: Ishq Ki Dastaan
Film: Taj Mahal: An Eternal Love Story (2005)
Credits: Naqsh Lyallpuri, Syed Gulrez | Naushad | Kavita Krishnamurthy and Preeti Uttam

This was the last movie in Naushad’s career. The song is a qawwali style competition between the 2 performers Arjuman Bano (Sonya Jahan) and Ladli Begum (Kim Sharma). While one talks about being open about love, the other counters stating that love is a feeling and doesn’t need to be made public.

Raj Kapoor – Self-Description Songs

14th December 2024 was Raj Kapoor’s 100th birthday. Widely regarded as the first showman of Hindi cinema, he carved a place for himself as a successful actor and director. Controversies apart, his all time hit movies and evergreen songs have made him an endured figure in cinematic history. Today’s post is dedicated to this showman. In all the songs, he talks about himself. Some are an introduction to his character while some show his state of mind or how he was treated by others.


1) Song: Main Zindagi Mein Hardam Rota Hi Raha Hoon
Film: Barsaat (1949)
Credits: Hasrat Jaipuri | Shankar Jaikishan | Mohammed Rafi

This was the second movie directed by Raj Kapoor which established his banner R.K. Films. It marked the successful entry of Shailendra, Hasrat Jaipuri and Shankar-Jaikishan in the RK camp. In this song, he is expressing his state of despair as the lyrics tell us. Also this is one of the few songs sung by Mohammed Rafi for Raj Kapoor considering Mukesh was his “regular” playback voice.

Umeed ke diye bujhe dil me hai andhera,
Jeevan kaa to saathi na bana koi bhi mera,
Phir kiske liye aaj main jeeta hi raha hoon,
Main zindagi mein hardam rota hi raha hoon


2) Song: Awara Hoon
Film: Awara (1951)
Credits: Shailendra | Shankar Jaikishan | Mukesh

What can be said about this song? It is so iconic! It established the Charlie Chaplin inspired tramp character firmly in the minds of the audience. The general image of a simple, vulnerable yet charming man continued throughout his career.

Ghar-baar nahin, sansar nahin, mujhse kisi ko pyar nahin,
Us paar kisi se milne ka iqrar nahin, mujhse kisi ko pyar nahin
Sunsan nagar anjaan dagar ka pyara hoon,
Awara hoon, awara hoon


3) Song: Main Dil Hoon Ek Armaan Bhara
Film: Anhonee (1952)
Credits: Satyendra | Roshan | Talat Mahmood

Raj Kapoor on the piano, singing for Nargis (who had a double role). A rare song by Talat Mahmood for Raj Kapoor with Roshan as the music director. A simple tune which suits the character and the mood. (Trivia – The lyrics are by Satyendra Athaiya who later married Bhanu Athaiya.)

Khud maine husna ke hathon mein,
Shokhi kaa chhalakataa jaam diyaa,
Gaalon ko gulaabon kaa rutabaa,
Kaliyo ko labo kaa naam diyaa, naam diyaa
Aankho ko diyaa saagar gehraa,
Tu aake mujhe pehchaan zaraa,
Main dil hoon ik aramaan bharaa…


4) Song: Main Paagal, Mera Manwa Paagal
Film: Ashiana (1952)
Credits: Rajinder Krishan | Madan Mohan | Talat Mahmood

Another beautiful song by Talat Mahmood, set to tune by Madan Mohan in raag Kedar. Raj Kapoor in a sad mood talking about separation.

Kahe ye duniya mai diwana,din mein dekhun sapne,
Diwani duniya kya jaane, Ye sapne hai apane,
Ghayal mann ki hasi udaaye, ye duniya ki reet re,
Main paagal mera manwa paagal, paagal meri preet re


5) Song: Mera Joota Hai Japani
Film: Shree 420 (1955)
Credits: Shailendra | Shankar Jaikishan | Mukesh

Similar to Awara hoon, this is another iconic song. The clever lyrics ending with the line “Phir Bhi Dil Hai Hindustani” was catchy and instantly caught the imagination of the listener. Raj Kapoor portraying the unemployed common man character who adapts as the movie plot progresses.

Nikal Pade Hai Khulli Sadak Par Apna Seena Taane,
Manzil Kahan, Kahan Rukna Hai, Uparwala Jaane,
Badhte Jaayen Hum Sailani, Jaise Ek Dariya Toofani,
Sar Pe Laal Topi Roosi Phir Bhi Dil Hai Hindustani,
Mera Joota…


6) Song: Sab Kuch Seekha Humne
Film: Anari (1959)
Credits: Shailendra | Shankar Jaikishan | Mukesh

Raj Kapoor plays an innocent and gullible character who doesn’t know how to play smart and earn money. He comes to know the truth about his love interest (Nutan). She was deceiving him by acting as a poor maid in need of money whereas she is actually a rich heiress. When reality bites, the hero sings this song confirming he is an anari, someone who was not smart and got easily fooled.

Asli nakli chehre dekhe, dil pe sau sau pehre dekhe,
Mere dukhte dil se puchho, kya kya khwab sunehre dekhe,
Toota jis tare pe nazar thi hamari,
Sach hai duniya walon ke hum hai anari


7) Song: Chhalia Mera Naam
Film: Chhalia (1960)
Credits: Qamar Jalalabadi | Kalyanji Anandji | Mukesh

Raj Kapoor giving his introduction as a chhalia (cheat / trickster). The picturization is similar to Awara Hoon where he roams in the street describing himself and robs a rich passerby.

Main hoon galiyon ka shahazaada, jo chaahun woh le loon,
Shahazaade talavaar se khelen, main kainchi se khelun,
Mehanat mera kaam, dena us ka kaam,
Hindu muslim sikh isaai sab ko mera salaam
Chhalia mera naam…


8) Song: Mera Naam Raju
Film: Jis Desh Mein Ganga Behti Hai (1960)
Credits: Shailendra | Shankar Jaikishan | Mukesh

His home production. The song is shot along the Ganga river. Raj Kapoor is once gain playing the simple man character who joins a gang of daakus (bandits). This time he is introducing himself as an orphan and a singer.

Kaam naye nit geet banana,
Geet bana ke jahan ko sunana,
Koi na mile to akele mein gaana,
Kaviraj kahe na yeh taj rahe, na yeh raaj rahe, na yeh raaj gharana
Meet aur preet ka geet rahe, kabhi loot saka na koi yeh khazana
Mera naam Raju gharana anaam


9) Song: Main Aashiq Hoon Baharon Kaa
Film: Aashiq (1962)
Credits: Shailendra | Shankar Jaikishan | Mukesh

A relatively unknown movie of Hrishikesh Mukherjee, the song picturization is not so great. Raj Kapoor is wandering around looking bored and singing the song. He describes himself as a traveller and basically a lover of nature and beauty.

Sadiyon se jag mein ata raha main,
Naye rag jeevan me lata raha main,
Har ek des me nit naye bhes me,
Mai aashiq hun baharo ka, fizaon ka nazaron ka


10) Song: Diwana Mujhko Log Kahein
Film: Diwana (1967)
Credits: Hasrat Jaipuri | Shankar Jaikishan | Mukesh

This was one of Raj Kapoor’s last movies as a leading man. And in this phase it was jarring to see him play the innocent character (again!) and act with younger heroines like Saira Banu, Rajshri and Hema Malini. He describes himself as a “seedha saadha” person misunderstood by the people around.

Main insaan seedha saadha hoon,
Imaan ka main shehzaada hoon,
Hai kaun bura malik jane,
Main pyar ka parwana,
Diwana mujhko log kahen…