All posts by GGaurav

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About GGaurav

I am passionate about old movies, songs and trivia.

Lata Mangeshkar (1 voice – 10 heroines)

6 February 2022, its already been 3 years since India lost a singing legend, someone who can be rightly termed as a national icon. Perhaps no other playback singer has contributed to film music as Lata Mangeshkar did in her multi-decade career. The heroines were so lucky to have her as their onscreen voice. I feel she was superlative in the 1950 to 1970 period.

Today’s post is dedicated to Lata Mangeshkar (LM) and the heroines she sang for in the 1950s and 60s i.e. the top heroines of the 2 decades who were blessed to have many or rather most of their songs sung by LM. All are romantic and happy numbers. So here we go…


1) Song: Mujhe Kisi Se Pyaar Ho Gaya
Film: Barsaat (1949)
Credits: Hasrat Jaipuri | Shankar Jaikishan | Lata Mangeshkar

Lets start with Nargis, a combination of beauty and great acting skills. LM has sung many songs for Nargis especially for R. K. Films including Awara, Aah, Shree 420 and Jagte Raho. In this song, we see a very young Nargis with Raj Kapoor. Raj Kapoor plays the violin and Nargis frolics around singing the bouncy song. This was a breakthrough movie for LM along with Mahal and Andaz the same year. She was all set to capture the listeners’ hearts with her incomparable talent.

Aankhon aankhon mein kar ke ishaare,
Kisne dil se kaha hum tumhare,
Haay yeh kya kiya, O salone piya, mora dhadke jiya,
Ho o o o, mujhe kisi se pyaar ho gaya


2) Song: Unse Pyaar Ho Gaya
Film: Baadal (1951)
Credits: Shailendra | Shankar Jaikishan | Lata Mangeshkar

A classic beauty Madhubala. Here she is at her chirpy best, bringing out all the expressions that only she can display. And that smile! Madhubala was one of the actresses for whom LM’s voice fits perfectly and this song is no different. Both enchant us in this enduring number based on raag Bhairavi. Like the earlier song, the heroine keeps talking about falling in love and what a lovely feeling that is!

Ulfat ki dekho kaisi ajab kahaani,
Aye na baadal phir bhi barasa hai paani,
Unse pyaar ho gaya unse pyaar ho gaya


3) Song: Ghadi Ghadi Mora Dil Dhadke
Film: Madhumati (1958)
Credits: Shailendra | Salil Chowdhury | Lata Mangeshkar

A southern beauty with unmatched dancing skills – Vyjanthimala. LM sings a song of waiting, the heroine is looking forward to meet Dilip Kumar. Simple lyrics and music but highly effective.

Saari umar ke badale maine maangi thi ye shaam,
Aaj yahi kho jaungi main unki baahen thaam re, unki baaahen thaam,
Pyaar mila aanchal bhar ke, dil dhadke, kyu dhadke
Aaj milan ki bela mein, sar se chunariya kyu sarke,
Ghadi ghadi mora dil dhadke


4) Song: Mora Gora Ang Lai Le
Film: Bandini (1963)
Credits: Gulzar| S. D. Burman | Lata Mangeshkar

Nutan was an accomplished actress and good at singing. She was one of the actresses who could lip sync the songs so well being a singer herself. And if the singer is LM, the result is pure gold! This is Gulzar’s first song as a lyricist. The heroine has realized she has fallen in love and brings out her emotions. She even admonishes the moon for peeping at her from the clouds and teasing her plight.

Badari hataa ke chandaa, chup ke se jhaanke chandaa,
Tohe raahu laage bairi, muskaaye ji jalaai ke,
Ho o o o, mora gora ang lai le


5) Song: Ek Tu Jo Mila
Film: Himalay Ki God Mein (1965)
Credits: Indeevar | Kalyanji Anandji | Lata Mangeshkar

Mala Sinha was a singer on All India Radio before she moved to Hindi movies and had a long career as a heroine. In this song, the heroine has realised that the hero (Manoj Kumar) is the one for her. She acknowledges the feeling in an evergreen song based on raag Charukeshi. LM is in top form singing with all emotion and verve in this fast paced composition.

Kabhi jo na bichade wo saathi hu mai,
Tu mera diya teri baati hu mai,
Bujhaya bujhi, jalaya jali,
Khila jo mera dil saari bagiya khili,
Ek tu jo mila


6) Song: Piya Tose Naina Laage Re
Film: Guide (1965)
Credits: Shailendra | S. D. Burman | Lata Mangeshkar

An intense actress and a skilled dancer, that was Waheeda Rehman. Guide was one of her most famous and challenging roles, which did not fit into the normal definition of a Hindi film heroine. While the song showcases her dancing and rise as a performer, it also shows the progressing of romance between the 2 lead characters played by Waheeda Rehman and Dev Anand. This is a long and tough song, Waheeda is magic on screen and LM off it.

Rat Ko Jab Chand Chamake, Jal Uthhe Tan Mera,
Mai Kahu Mat Kar O Chanda, Iss Galee Kaa Phera,
Aana Mora Saiyya Jab Aaye,
Chamakana Uss Rat Ko Jab Milenge Tan Mann, Milenge Tan Mann
Piya Tose Naina Laage Re, Naina Laage Re


7) Song: Suno Sajana
Film: Aaye Din Bahar Ke (1966)
Credits: Anand Bakshi | Laxmikant Pyarelal | Lata Mangeshkar

Asha Parekh was known as the “hit girl” who had a string of hits to her credit. In this song, the heroine informs the hero about the arrival of spring. Flowers are blooming all over and so is love. LM’s voice is infectious right from the first alaap; the song on screen showcases the chirping of birds and glory of the nature, slowly blossoming into a romantic number.

Dekho na aise dekho, marzi hai kya tumhaari,
Bechain kar na dena, tumko kasam hamaari,
Hum hi dushman na ban jaaye, kahi apni qaraar ke,
Sambhal jaao chaman waalo, ke aaye din bahaar ke


8) Song: Unse Mili Nazar
Film: Jhuk Gaya Aasman (1966)
Credits: Hasrat Jaipuri | Shankar Jaikishan | Lata Mangeshkar

Saira Banu was another beautiful heroine of the 60s. The song involves a cute and funny sequence in the movie. There is a realisation of love song but the lovers are yet to admit it. The heroine describes the hero, her attraction towards him, totally unaware he is in her room under the bed and listening with all interest. It is worth noting how LM modulates her voice to suit the heroine and matching the pace and nature of the song. What a delight to the listener!

Jab woh mile mujhe pehli baar,
Unn se ho gayi aankhein chaar,
Paas na baithe pal bhar woh,
Phir bhi ho gaya unn se pyaar,
Itni thi bas khabar, itni thi bas khabar,
Itni thi bas khabar ke mere hosh udd gaye,
Unn se mili nazar ke mere, hosh udd gaye


9) Song: Kis Liye Maine Pyar Kiya
Film: The Train (1970)
Credits: Anand Bakshi | R. D. Burman | Lata Mangeshkar

Nanda had to work as a child actress to support her family and later became a successful heroine. It is said that LM’s voice is a perfect match for her. This is a soft romantic song. Nanda is in a joyous mood and eagerly waiting for Rajesh Khanna’s arrival at her house. He is going to speak about their marriage with her mother.

Aankho mein maine kajal dala, maathe pe bindiya lagai,
Aise me tu aa jaye to, kya ho ram duhai,
Chhup ke mann mein armano ne li kaisi angadai,
Koi dekhe to kya samjhe ho jaye rusvai,
Maine kyon singar kiya, dil ko yuhi bekarar kiya,
Sham savere teri raah dekhi, raat din intazar kiya ho,
Kis liye maine pyaar kiya


10) Song: Mausam Hai Aashiqana
Film: Pakeezah (1972)
Credits: Kamal Amrohi | Ghulam Mohammed | Lata Mangeshkar

And finally, Meena Kumari, a beautiful and brilliant performer. One of the finest from the 1950s & 60s era. Dramatic circumstances lead to the heroine meeting the hero, steering her life in a new direction. The protagonist realises she has fallen in love and bursts into song. LM makes the raag Yaman Kalyan song sound so easy and does full justice.

Suraj kahi bhi jaaye tum par na dhup aaye,
Tumko pukarate hai in gesuon ke saaye,
Aa jaao mai bana du palkon ka shamiyana,
Mausam hai aashiqana

Suman Kalyanpur – Marathi Movie Songs

28 January is the birthday of Suman Kalyanpur, one of the living legends of the golden era of Hindi cine music. But apart from Hindi, the singer par excellence sang in many other languages leaving her impression. It is sad that somehow she did not achieve the popularity and respect as her peers. Blame it on competition, politics or pure bad luck. But her songs remain fresh in the minds of her fans and the music listener.

This is a small tribute by remembering her contribution to Marathi cinema through 10 songs for different music directors. Most of them are stalwarts and it is interesting to see Suman K adapting different styles and delivering her best through her sweet and expressive voice. Here’s wishing Suman K a happy birthday and a healthy life ahead.


1) Song: Jithe Sagara Dharani Milate
Film: Putra Whawa Aisa (1961)
Credits: P. Sawalaram | Vasant Prabhu | Suman Kalyanpur

This can be termed as one of the trademark songs of Suman K. The heroine sings the song leisurely, strolling by the sea and waiting for the workaholic hero’s arrival. Set in Yaman, the song begins with a delightful humming and the honeyed vocals take it forward as if gliding on the water waves. The lyrics, music and of course, the singing do full justice.


2) Song: Are Sansar Sansar
Film: Manini (1961)
Credits: Bahinabai Chaudhari | Vasant Pawar | Suman Kalyanpur

One of the heroine oriented movies of that era. An evergreen song describing the reality of life in simplified terms. Penned by Bahinabai and aptly composed by Vasant Pawar in Pilu. Suman K adds the finishing touch by the poignant rendering.


3) Song: Deva Daya Tujhi Ki
Film: Bolki Bahuli (1961)
Credits: G D Madgulkar | Shriniwas Khale | Suman Kalyanpur

Bolki Bahuli is termed as a sequel to Devbappa (1953). Probably the first such instance in Marathi cinema. Suman K sounds sweet as always in a song which describes the character’s happy state of mind. Must say that Suman K was in her prime in the early 60s.


4) Song: Jaag Re Yadava
Film: Prem Andhala Asta (1962)
Credits: G D Madgulkar | Ram Kadam | Suman Kalyanpur

Ga Di Ma describes the sunrise and happenings of the morning scene through his writing and Ram Kadam complements with the music. Suman K voice meanders through the composition and the listener can easily visualize the scene being described. Unfortunately the picturization on screen is not up to the mark and could have been better. Indeed, some songs are meant to be heard and not seen!


5) Song: Aai Sarkhe Daiwat
Film: Vaishakh Vanva (1964)
Credits: G D Madgulkar | Datta Dawjekar | Suman Kalyanpur

Like Manini, this is a heroine oriented movie. She goes through hardships in her marital life and has to leave her husband’s house. This is a situational “teaching” song. The heroine is teaching the basics of the alphabet and sings a song in praise of the “mother” who is equivalent to God. Needless to say, the song sounds sweeter in the voice of Suman K.


6) Song: Tujhiya Botala
Film: Iye Marathichiye Nagari (1965)
Credits: Vasant Kanetkar | Vasant Desai | Suman Kalyanpur

This is a forgettable V. Shantaram directed movie but with good music like most of his offerings. I don’t recall if the song is included in the movie. Its structured like a natya sangeet composition and Suman K is the surprise package. The fast taans in natya sangeet style is a revelation and brings out the versatility of the singer.


7) Song: Anand Mani Maina
Film: Raigadacha Rajabandi (1965)
Credits: Raja Badhe | D. P. Korgaonkar | Suman Kalyanpur

I recall watching this movie on Doordarshan ages ago but has since got lost in time somewhere! Haven’t heard much about the music director but Suman K sings the song effortlessly and is impactful in the high pitch portion.


8) Song: Tujhya Kantisam Raktapataka
Film: Annapurna / Anna Hi Anna (1968)
Credits: G D Madgulkar | Snehal Bhatkar | Suman Kalyanpur

This is an early morning devotional song dedicated to Lord Ganesha. Suman K displays her command in different genres by easily handling the composition. The lyrics talk all about the lord’s features, his liking and virtues. Trivia: The movie was earlier titled Anna Hi Anna and later re-censored as Annapurna by which it is better known today.


9) Song: Limbalona Utaru Kashi
Film: Ekati (1968)
Credits: G D Madgulkar | Sudhir Phadke | Suman Kalyanpur

A mother singing for her son who is away in a different city. A typical filmy mother who has brought up her son single handedly. Her sacrifices and his hard work have paid off. He is now grown up and standing on his feet. She is contented and wishes for his success through the song. Suman K’s rendition brings out the character’s emotions effectively.


10) Song: Nimbonichya Zaadamage
Film: Bala Gaau Kashi Angai (1977)
Credits: Madhusudan Kalelkar | N. Datta | Suman Kalyanpur

One of the memorable and enduring lullabies of Marathi cinema. This was probably one of the last hits of Suman K and has retained its charm for many years. There is a sad version of the song later in the movie. Both versions are equally compelling in Suman K’s voice.

Kalicharan (1976)

Today’s post is dedicated to Subhash Ghai (born: 24th January, 1945), often called as the (second?) showman after Raj Kapoor. I remember watching Aradhana (1969) and noticing a young Subhash Ghai in a scene. Starting as an actor, he moved to direction and launched his own banner Mukta Arts. It would be safe to say he left his mark on the 1980s and 90s with a slew of movies like Hero, Meri Jung, Karma, Ram Lakhan, Saudagar, Khalnayak, Pardes and Taal. And most of them can be termed as “grand” movies for their big budgets, star power, hit music and blockbuster status.

Kalicharan was the directorial debut of Subhash Ghai. While the movie may not be perfect, it shows his craft, perhaps indicating the grander scheme of things to come.


The Plot

Kalicharan has a simple plot. We are introduced to the villain at the very beginning. Meet Seth Deendayal (Ajit). He is fondly called as Lion (also pronounced Loin) by the whole city. The country is reeling with inflation and foodgrain prices have hit the roof. Lion has managed to hoard huge quantities of wheat through is “baniya” friends. The Government is importing wheat and the ship is expected to arrive soon. Lion assures his cronies that the ship will never reach the country. Next, a blast occurs, the ship is destroyed and the grain is gone. The titles start rolling.

Prabhakar Srivastav (Shatrughan Sinha) is a capable and non-corrupt police officer. He has managed to capture a truck driver Raghu who works for Lion’s organization. But Raghu is not ready to reveal his real boss’s / owner’s name. Raghu has a sister Sapna Mathur, who studies in Simla. Sapna thinks Raghu is a hardworking and rich man but does not know the reality and the kind of work he is associated with. Upon some emotional blackmail by Prabhakar, a desperate Raghu reveals the name of the villain as Lion. Prabhakar is aghast as Lion is Seth Deendayal , a respected big shot in the city. Later, Raghu gets shot by Lion’s men and dies in the jail.

A disturbed Prabhakar prepares his report for submitting to the Inspector General (IG) P. N. Khanna (Premnath). Prabhakar is like a foster son for Khanna. Prabhakar’s 2 children (Chinky, Pinky) are like his grandchildren. Khanna has a daughter Anju (Alka) who treats Prabhakar as her brother and is attached to the children. The children are traveling to Simla (where they study) and Anju is accompanying them on the train journey.

A confused Prabhakar goes to Khanna’s cabin but Khanna is on the phone talking to none other than Lion, who is his best friend. He considers Lion and Prabhakar as the people closest to him. Prabhakar is unable to speak and reveal his suspicions about Lion. Khanna reminds him to reach the station on time to see off his children.

In a wrong move, Prabhakar goes and directly confronts Lion, who obviously refutes all allegations. Prabhakar threatens him with some wonderful dialogue delivery. Lion counters with one of the most iconic dialogues of Hindi cinema… Saara sheher mujhe Lion ke naam se jaanta hai. He holds the same status in the city as a lion in the jungle. Prabhakar warns that a man-eater lion also gets killed and to be ready for his fate.

Prabhakar leaves for the railway station. As fate would have it, Lion arranges a hit and run accident. Prabhakar is seriously injured. Khanna receives the news at the railway station. He is unable to share the news with Anju or the children. He sees them off with a heavy heart and rushes to the hospital as soon as the train departs.

Khanna is at the hospital hoping for some positive news about Prabhakar, who may not survive the accident. He meets an old friend, retired jailor (David) at the hospital. Prabhakar dies. (But before dying, he manages to write “LION” on the hospital chart by his bedside. As it is written in reverse on the paper, it is wrongly misinterpreted as “No. 17”).

David is shocked when he looks at Prabhakar. Apparently, there is a prisoner in the New Delhi prison whose face resembles Prabhakar – a carbon copy. This is Qaidi number 511 – Kalicharan (also Shatrughan Sinha). Khanna makes some quick plans. Prabhakar’s death is kept secret. Khanna goes to New Delhi and meets Kalicharan. After lot of convincing, he manages to bring Kalicharan with him to Simla.

Kalicharan is accommodated in a guest house. Khanna tells the truth to Alka. She supports him on his mission to transform Kalicharan into DSP Prabhakar to take on the people who had killed Prabhakar. But it is not going to be easy as Kalicharan has only one mission – to escape at the earliest.

Its time for the heroine’s entry. Sapna (Reena Roy) has reached Simla for participating in a youth festival. Kalicharan manages to escape and takes a ride on top of Sapna’s bus. Through some funny scenes, Sapna manages to “capture” him and hand over to the police. Sapna is Anju’s friend and comes to meet her and Khanna. She informs Khanna about the thief she caught who calls himself Kalicharan and insists that he is a friend of Khanna. Upon hearing this, Khanna rushes to get Kalicharan released and confines him to the guesthouse. Sapna is apologetic when she comes to know this is DSP Prabhakar who Anju considers as her brother and so on.

Sapna performs a song “Jaa re jaa o harjai” in the youth festival. The lyrics seem as if she is singing for Prabhakar. Kalicharan is entertained and joins her in the dancing.

Next day, Kalicharan manages to run away again on a horse but Khanna chases and nabs him. So its back to the house and confinement. Kalicharan is frustrated. Now its time for Anju to deal with Kalicharan and make him change his ways. In filmy style, she tries to tie a rakhi to him as his sister. Kalicharan is moved and narrates his life story involving his sister. We come to know that his sister was raped and committed suicide. The culprit was Shetty (Shetty) and his friends. Kalicharan kills the friends but Shetty escapes. Anju tells him about Prabhakar’s tragic story. Finally, Kalicharan melts and agrees to be DSP Prabhakar. Khanna is relieved at the news.

But its not an easy job. Kalicharan has to meet Prabhakar’s children and behave as if he is their father. The children sing the song “Ek batta do, do batte chaar” in school and are overjoyed to see him after so many days.

Then there are other obstacles like Shaaka (superbly performed by Danny Denzongpa). He is lame in one leg and fights with a trishul (trident). And we come to know Sapna is none other than Raghu’s sister, who plans to avenge his death.

All this leading to the revelation about the No. 17 puzzle. But will Khanna be convinced that his best friend Lion is the main villain responsible for Prabhakar’s death? And will Lion remain silent? He is arranging to get rid of Prabhakar with the help of some bad men like Madan Puri, Manik Irani and last but not the least Shetty, with whom Kalicharan has old scores to settle.

The Music

The songs are written by Ravindra Jain and Inderjeet Singh Tulsi, music by Kayanji Anandji. There are only 4 songs but Jaa re jaa o harjai and Ek batta do are more famous. They were heard often on radio and TV.

My Thoughts

As mentioned, Kalicharan is a simple story but Subhash Ghai manages to make an entertaining movie primarily with a combination of the acting and dialogues. The director focuses on the story avoiding diversions like unnecessary songs and a long romantic track.

The biggest credit is perhaps to Shatrughan Sinha, who shines in the brief role of Prabhakar and then the lengthier character of Kalicharan. He is good in the emotional and action scenes, and is convincing in the comedy scenes as well. His dialogue delivery is phenomenal. He was normally associated with multi starrers and negative characters. This was his first hit as a solo hero movie.

Ajit nails it as as Lion. He portrays the menacing villain by his convincing dialogue delivery, expressions and body language. Danny Denzongpa impresses in a small but effective role. The rest of the cast pales in comparison. Reena Roy plays the typical heroine and appears in some weird costumes. Premnath talks loudly with exaggerating actions and keeps on swearing for no reason.